沉浸在嗡嗡声中还是退缩到孤独?艺术家在城市环境中的创作与社会策略

IF 2.4 3区 社会学 Q1 SOCIOLOGY
Monika Murzyn-Kupisz, Jarosław Działek
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引用次数: 3

摘要

对艺术家放荡不羁倾向的期望以及他们沉浸在喧嚣中的需要塑造了艺术专业人士的流行形象,并经常成为公共政策的出发点。我们研究的目的是超越对艺术家社会和空间偏好的先入为主的观念,更细致地观察艺术家对嗡嗡声的态度及其在城市环境中的存在。根据在波兰两个城市进行的一个研究项目的结果,我们考虑了嗡嗡声在多大程度上确实是当代城市中心的重要艺术资源,以及艺术家在什么位置和类型的空间中体验到了嗡嗡声。我们还考虑了艺术家在城市创作策略中使用与嗡嗡声相反的东西,即沉默和孤独,并分析了哪些因素影响艺术家对嗡嗡声丰富的环境的态度、需求和策略的多样性。研究结果表明,艺术家对嗡嗡声的策略很复杂,这可能反过来转化为他们在城市中做出的特定空间策略和选择。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Immersion in Buzz or Withdrawal to Solitude? Artists’ Creative and Social Strategies in Urban Settings
Expectations of bohemian inclinations of artists and their need to immerse in buzz shape the popular image of artistic professionals and often become a point of departure for public policies. The aim of our study, moving beyond preconceived notions on artists’ social and spatial preferences, has been to take a more nuanced look at artists’ attitudes toward buzz and its presence in urban settings. Drawing on the results of a research project conducted in two Polish cities, we have considered to what extent buzz is indeed an important artistic resource in contemporary urban centers and in what locations and types of spaces it is experienced by artists. We have also taken into account artists’ use of the opposite of buzz, that is, silence and solitude, in their urban creative strategies as well as analyzed what factors impact on the diversity of artists’ attitudes, needs, and strategies toward buzz-rich environments. Research findings point to the complexity of artists’ strategies toward buzz which might in turn translate into specific spatial strategies and choices they make within cities.
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来源期刊
City & Community
City & Community Multiple-
CiteScore
5.30
自引率
8.00%
发文量
27
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