品格道德、享受和欣赏:伊甸园、达尔曼斯和约翰逊(2017)的复制

IF 3.4 2区 心理学 Q1 COMMUNICATION
Koji Yoshimura, N. Bowman, Elizabeth L. Cohen, J. Banks
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引用次数: 0

摘要

情感倾向理论解释了角色的感知道德在享受体验中起着至关重要的作用,但这一理论受到了道德模糊角色(mac)的明显吸引力的挑战。因此,研究道德在娱乐中的作用和理解观众如何看待不同道德性质的角色是很重要的。虽然之前的研究表明,不同的性格类型可能有不同的道德维护/违反模式,但最近的一项研究发现,性格类型,包括mac类型,在特定的道德基础上并不会有所不同,但在所有基础上的整体道德感知确实有所不同。为了进一步研究不同的性格类型是否被认为具有不同的感知道德模式,这项研究在美国年轻人的样本中重复了最近的研究,再次发现性格类型并没有根据特定的道德领域而变化。然而,将感知道德和娱乐结果联系起来的研究结果并没有重复。这项研究通过证明这些结果的可重复性,并考虑原始研究作者提供的替代解释,为娱乐研究做出了贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Character morality, enjoyment, and appreciation: a replication of Eden, Daalmans, and Johnson (2017)
ABSTRACT Affective disposition theory explains that the perceived morality of characters plays a critical role in the experience of enjoyment, but is challenged by the apparent appeal of morally ambiguous characters (MACs). Therefore, it is important to examine the role of morality in enjoyment and to understand how viewers perceive characters of varying moral natures. Although previous research has indicated that different character types might have different patterns of moral upholding/violation, a recent study found that character types, including types of MACs, were not perceived to vary on specific moral foundations, but did vary in overall perceived morality across all foundations. To further examine whether distinct character types are perceived to have different patterns of perceived morality, this study replicated that recent study in a sample of US young adults, again finding that character types did not vary according to specific moral domains. However, findings associating perceived morality and entertainment outcomes did not replicate. This study contributes to entertainment research by demonstrating the reproducibility of these results and considering alternative explanations to those offered by the authors of the original study.
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来源期刊
Media Psychology
Media Psychology Multiple-
CiteScore
8.60
自引率
7.10%
发文量
30
期刊介绍: Media Psychology is an interdisciplinary journal devoted to publishing theoretically-oriented empirical research that is at the intersection of psychology and media communication. These topics include media uses, processes, and effects. Such research is already well represented in mainstream journals in psychology and communication, but its publication is dispersed across many sources. Therefore, scholars working on common issues and problems in various disciplines often cannot fully utilize the contributions of kindred spirits in cognate disciplines.
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