恐惧、资金和粉丝:RoléCarioca的徒步旅行和flânerie的基础设施

Q2 Social Sciences
Victoria Adams
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引用次数: 0

摘要

自2013年以来,文化历史项目rol Carioca鼓励里约热内卢的居民与他们的城市重新建立联系。本文聚焦于该项目的徒步旅行,考察了rol Carioca如何在新自由主义的背景下,鼓励里约热内卢的居民从他们为商业、休闲和住房而撤退的防御飞地回到街上,并参观长期以来被诋毁的城市地区,如郊区。这篇文章阐述了罗勒·卡里奥卡将b里约热内卢地区改造成徒步旅行参与者的休闲场所的基础设施。它认为,该项目通过鼓励参与者以类似于19世纪flalnneurs的方式与他们的城市互动来实现其目标,但又略有不同。它还探讨了rol Carioca试图将参加其活动的人与里约热内卢重新联系起来的方法的历史和悖论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fear, funding and fans: Rolé Carioca’s walking tours and infrastructures of flânerie
Since 2013, the cultural‐historical project Rolé Carioca has encouraged residents of Rio de Janeiro to reconnect with their city. Focusing on the project’s walking tours, this article examines how Rolé Carioca navigates a neo-liberal context to encourage residents of Rio to return to the street from the fortified enclaves to which they have retreated for business, leisure and housing and to visit long-denigrated areas of the city, such as its suburbs. This article elucidates the infrastructures Rolé Carioca uses to transform areas of Rio into sites of leisure for its walking tour participants. It argues that the project pursues its aims by encouraging participants to engage with their city in ways akin to, but subtly different from the flâneurs of the nineteenth century. It also probes the history and paradoxes of the means by which Rolé Carioca seeks to reconnect those who attend its events with Rio.
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来源期刊
Journal of Urban Cultural Studies
Journal of Urban Cultural Studies Social Sciences-Cultural Studies
CiteScore
0.50
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7
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