布莱克与新耶路撒冷：进入二十一世纪的艺术与英国民族主义

Q2 Arts and Humanities

Visual Culture in Britain Pub Date : 2018-09-02 DOI:10.1080/14714787.2018.1524312

J. Whittaker

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引用次数: 0

摘要

一个多世纪以来，休伯特·帕里（Hubert Parry）的赞美诗《耶路撒冷》（Jerusalem）一直是布莱克作品受到欢迎的决定性因素，这首赞美诗取自布莱克史诗《米尔顿》的序言。这篇文章集中讨论了自2000年之交以来，Blake–Parry赞美诗对艺术和文化的影响，重点关注了2012年伦敦奥运会、作为欧盟公投一部分的各种呼吁，以及作为2016年展览“and Do That Feet？”一部分的对Blake–Parry赞美诗的视觉反应在利兹的Roundhay。

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Blake and the New Jerusalem: Art and English Nationalism into the Twenty-First Century

For over a century, Hubert Parry’s hymn ‘Jerusalem’, taken from Blake’s stanzas that preface his epic poem Milton, has been a defining factor in the reception of Blake’s work. This article concentrates on the influence of the Blake–Parry hymn on arts and culture since the turn of 2000, concentrating on events such as the 2012 London Olympics, its various invocations as part of the EU Referendum, and visual responses to the Blake–Parry hymn as part of the 2016 exhibition ‘And Did Those Feet?’ at Roundhay, Leeds.

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来源期刊

Visual Culture in Britain Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.60

自引率

0.00%

发文量