化的欲望

IF 0.1 0 LANGUAGE & LINGUISTICS
Judit Kroo
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引用次数: 0

摘要

本研究考察了韩剧中多价韩文休闲词汇“ya”的使用。ya的意思包括“嘿”和“哦!”根据上下文和语调的不同,你可以传达从愤怒到浪漫戏弄的各种情感内涵。本研究探讨了“ya”的使用模式,强调了语调轮廓和收信人选择的差异如何与“有力”和“不有力”的效价联系在一起,这些效价涉及到各种与青年有关的性别风格的构建和表现。它认为异性规范的理想的男性和女性风格是通过策略使用和不使用ya来构建的。具体来说,令人向往的浪漫女性气质依赖于失败的强势表现,这种强势表现为男性化的父爱表现创造了机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gendering desire
This study considers the use of the multivalent casual Korean lexical item ya in a Korean television drama. Meanings of ya include “hey” and “oh!” and ya can convey a variety of affective connotations ranging from anger to romantic teasing depending on context and intonational contours. Exploring patterns of use of ya, this study highlights how the differences in intonational contour and choice of addressee are linked to valences of “forcefulness” and “failed forcefulness” that are implicated in the construction and performance of diverse youth-associated gendered styles. It argues that heteronormatively desirable masculine and feminine styles are constructed through the strategic use and non-use of ya. Specifically, romantically desirable femininity relies on the performance of failed forcefulness that creates opportunities for masculine-marked performances of paternal care.
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来源期刊
East Asian Pragmatics
East Asian Pragmatics Social Sciences-Cultural Studies
CiteScore
0.70
自引率
0.00%
发文量
21
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