云冈石窟的宗教解读:中西文化交融

IF 0.4 3区 哲学 0 PHILOSOPHY
YongMing Hua, Shuwen Yang, Nan Li, Fang Li
{"title":"云冈石窟的宗教解读:中西文化交融","authors":"YongMing Hua, Shuwen Yang, Nan Li, Fang Li","doi":"10.24204/ejpr.2021.3954","DOIUrl":null,"url":null,"abstract":"The grotto art in China has a long history. Yungang grotto is a representative grotto with China characteristics that has been preserved so far in the Northern Wei Dynasty, and it is an important cultural heritage of the Northern Wei Dynasty, which embodies the culture of the Northern Wei Dynasty. Yungang grotto is also the beginning of the localization of China grotto art. The unique artistic charm of Yungang Grottoes lies in the organic combination of Indian Buddhist culture and China traditional culture, which incorporates the inherent culture of Xianbei people. This paper briefly expounds and analyzes the statue model of Yungang Grottoes bred by multiculturalism; From the perspective of cultural thought, this paper explores the consciousness of statues in Yungang Grottoes. From the perspective of blending Chinese and western cultures, this paper studies the architecture and Buddhist sculptures of Yungang Grottoes from the religious level. By studying the characteristics of Yungang Grottoes' architecture and Buddhist sculptures, this paper tries to demonstrate the Xianbei cultural characteristics of Yungang Grottoes and discuss the design of Yungang Grottoes and the blending characteristics of Chinese and western cultures embodied in the design. It is hoped that this study will shed some light on understanding and exploring the grotto culture, the blending of Chinese and western cultures and the China-oriented Buddhism.","PeriodicalId":43251,"journal":{"name":"European Journal for Philosophy of Religion","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2022-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Religious Interpretation of Yungang Grottoes: Blending of Chinese and Western Cultures\",\"authors\":\"YongMing Hua, Shuwen Yang, Nan Li, Fang Li\",\"doi\":\"10.24204/ejpr.2021.3954\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The grotto art in China has a long history. Yungang grotto is a representative grotto with China characteristics that has been preserved so far in the Northern Wei Dynasty, and it is an important cultural heritage of the Northern Wei Dynasty, which embodies the culture of the Northern Wei Dynasty. Yungang grotto is also the beginning of the localization of China grotto art. The unique artistic charm of Yungang Grottoes lies in the organic combination of Indian Buddhist culture and China traditional culture, which incorporates the inherent culture of Xianbei people. This paper briefly expounds and analyzes the statue model of Yungang Grottoes bred by multiculturalism; From the perspective of cultural thought, this paper explores the consciousness of statues in Yungang Grottoes. From the perspective of blending Chinese and western cultures, this paper studies the architecture and Buddhist sculptures of Yungang Grottoes from the religious level. By studying the characteristics of Yungang Grottoes' architecture and Buddhist sculptures, this paper tries to demonstrate the Xianbei cultural characteristics of Yungang Grottoes and discuss the design of Yungang Grottoes and the blending characteristics of Chinese and western cultures embodied in the design. It is hoped that this study will shed some light on understanding and exploring the grotto culture, the blending of Chinese and western cultures and the China-oriented Buddhism.\",\"PeriodicalId\":43251,\"journal\":{\"name\":\"European Journal for Philosophy of Religion\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-12-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Journal for Philosophy of Religion\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24204/ejpr.2021.3954\",\"RegionNum\":3,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Journal for Philosophy of Religion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24204/ejpr.2021.3954","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0

摘要

中国的石窟艺术历史悠久。云冈石窟是北魏至今保存下来的具有中国特色的代表性石窟,是北魏重要的文化遗产,体现了北魏文化。云冈石窟也是中国石窟艺术本土化的开端。云冈石窟独特的艺术魅力在于印度佛教文化与中国传统文化的有机结合,融合了鲜卑人固有的文化。本文简要阐述和分析了多元文化孕育的云冈石窟造像模式;本文从文化思想的角度,探讨云冈石窟造像的自觉。本文从中西文化交融的角度,从宗教层面对云冈石窟的建筑与佛教雕塑进行研究。本文通过对云冈石窟建筑和佛教雕塑特点的研究,试图展示云冈石窟鲜卑文化的特点,并对云冈石窟的设计以及设计中所体现的中西文化交融的特点进行探讨。希望通过本文的研究,对洞窟文化、中西文化交融和中国佛教的认识和探索有所启发。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Religious Interpretation of Yungang Grottoes: Blending of Chinese and Western Cultures
The grotto art in China has a long history. Yungang grotto is a representative grotto with China characteristics that has been preserved so far in the Northern Wei Dynasty, and it is an important cultural heritage of the Northern Wei Dynasty, which embodies the culture of the Northern Wei Dynasty. Yungang grotto is also the beginning of the localization of China grotto art. The unique artistic charm of Yungang Grottoes lies in the organic combination of Indian Buddhist culture and China traditional culture, which incorporates the inherent culture of Xianbei people. This paper briefly expounds and analyzes the statue model of Yungang Grottoes bred by multiculturalism; From the perspective of cultural thought, this paper explores the consciousness of statues in Yungang Grottoes. From the perspective of blending Chinese and western cultures, this paper studies the architecture and Buddhist sculptures of Yungang Grottoes from the religious level. By studying the characteristics of Yungang Grottoes' architecture and Buddhist sculptures, this paper tries to demonstrate the Xianbei cultural characteristics of Yungang Grottoes and discuss the design of Yungang Grottoes and the blending characteristics of Chinese and western cultures embodied in the design. It is hoped that this study will shed some light on understanding and exploring the grotto culture, the blending of Chinese and western cultures and the China-oriented Buddhism.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.80
自引率
20.00%
发文量
53
期刊介绍: European Journal for Philosophy of Religion (EJPR) is a peer-reviewed international journal devoted to the problems of the philosophy of religion. EJPR has been founded with the aim of fostering the development of philosophy of religion in Europe and elsewhere.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信