Jagad Raya:从宇宙学的角度看木制工艺品中动植物的表现

E. Haryanto, M. Mujiyono, N. S. Prameswari
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引用次数: 0

摘要

柚木木雕艺术是主要的出口商品之一,特别是以动植物为主题的木雕。爪哇文化和印度神话影响了植物和动物的图案,所以它们有自己的含义。本研究的目的是开发植物和动物图案的雕刻灵感来自经典蜡染图案使用木材介质。结果表明,所使用的介质是柚木,经过不涂漆的整理过程,产生自然的颜色。它被调整到它的功能和用途,以创造柚木雕刻。木雕不仅具有审美价值,而且作为一种装饰和神圣的媒介,在创作艺术品时,每个主题都会影响一个人的信仰。此外,柚木木雕被用作一种文化的象征,设计的图案往往包含对人类进行生活的教导意义。在经济方面,柚木木雕业战略性地提高了社区的收入,特别是对旅游中心的工匠。通过制作以动植物为主题的木雕工艺品,希望木雕工艺品不仅可以作为装饰品,还可以作为美术、历史和爪哇文化的教育媒介,对更广泛的社区充满意义,可以增加知识,鼓励人们按照宇宙观行事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Jagad Raya: Representation of Flora and Fauna in Wooden Craft From A Cosmological Perspective
The art of teak wood carving was one of the leading export commodities, especially wood carvings with flora and fauna motifs. Javanese culture and Hindu mythology influenced the flora and fauna motifs, so they had their meanings. This research aimed to develop carvings of flora and fauna motifs inspired by classic batik motifs using wood media. The results showed that the media used was teak wood with a finishing process without painting to produce a natural color. It was adjusted to its function and use in creating teak wood carvings. Wood carving did not only function to be enjoyed for its aesthetic value but as a decorative and sacred medium where each motif influences one's beliefs when creating artwork. In addition, teak wood carvings were used as symbols of a culture, and the designed motifs often contained the meaning of teachings to humans in carrying out life. Based on the economic aspect, the teak woodcarving industry strategically improved the community's income, especially for craftsmen in tourism centers. By making woodcarving crafts with flora and fauna motifs, it hoped that woodcarving crafts would not only use as decorative objects, but it used as an educational media for fine art, history, and Javanese culture, which were full of meaning to the broader community so that they could increase knowledge and encourage people to behave following the concept of cosmology.
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