在母亲的标志下

IF 0.4 2区艺术学 0 THEATER

TDR-The Drama Review-The Journal of Performance Studies Pub Date : 2023-03-01 DOI:10.1017/S1054204322000971

B. Jakovljević

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引用次数: 0

摘要

伍斯特集团(Wooster Group)制作贝托尔特·布莱希特(Bertolt Brecht)的学习剧《母亲》(the Mother)的一个关键教训是，所有权在资本主义中的意义。与其他在20世纪60年代末开始的去工业化浪潮中迁入SoHo的企业不同，这群演员在伍斯特街33号拥有一家前金属冲压厂，他们与生产资料的关系不仅是经济上的，而且是道德上的。这是他们独特的戏剧美学的基础。

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Under the Sign of The Mother

A key lesson of the Wooster Group’s production of Bertolt Brecht’s learning play The Mother concerns the meaning of ownership in capitalism. Unlike other businesses that moved into SoHo during the wave of deindustrialization that began in the late 1960s, the group of actors that owns a former metal stamping factory at 33 Wooster Street shows that their relationship towards their means of production is not only economic, but also ethical. This is at the foundation of their distinct theatrical aesthetics.

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来源期刊

TDR-The Drama Review-The Journal of Performance Studies THEATER-

CiteScore

0.80

自引率

33.30%

发文量

期刊介绍： TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance