组装东西:瓦劳工艺品,贸易和游客

IF 0.9 3区 社会学 Q3 ANTHROPOLOGY
Christian Sørhaug
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引用次数: 0

摘要

在分析他们的社会生活或传记时,我们往往不太关注组装事物的过程。人们有一种先入为主的观念,认为事物是相对稳定、固定和惰性的实体。在本文中,我建议探索事物的日常生活,说明人类生活与非人类物质的交织。各种实体(包括人类和非人类)的相互转化,创造了从其各部分之间的相互作用中产生的组合。在拉丁美洲低地的一个当代土著群体中,组装事物的作用是概念化相互纠缠如何创造新的可能世界。从人种学的角度,我追踪了委内瑞拉奥里诺科河三角洲瓦拉奥人的吊床和其他类型物品的生产过程,以及它是如何与不同的“其他人”纠缠在一起的,比如商人、游客、传教士和人类学家,以及这些相遇是如何影响组装物品的过程的。组装事物使人们注意到异质的组成部分是如何构成临时但稳定的结构的,这些结构参与了人们制造世界的努力。我使用了瓦拉奥人的民族志,以及他们的工艺品,尤其是吊床,是如何在不同的组合中变得不同的。我研究了三个领域的集合,以辨别人类/非人类的纠缠是如何展开的,即家庭、市场和博物馆。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Assembling things: Warao crafts, trade and tourists
We tend to give less attention to the process of assembling things when analysing their social life or biography. There is a preconception of things being relatively stable, fixed and inert entities. In this paper, I suggest exploring the ordinary life of things, accounting for the interweaving of the human life with nonhuman materials. The mutual becomings of various entities, both humans and nonhumans, create assemblages that emerge from the interaction between their parts. Assembling things works to conceptualize how mutual entanglements create new possible worldings among a contemporary indigenous group in low land Latin-America. Ethnographically I trace the production process of hammocks and other types of items among the Warao of the Orinoco Delta, Venezuela, and how it entangles different ‘others’ like traders, tourists, missionaries and anthropologists and how these encounters affect the process of assembling things. Assembling things draws attention to how heterogenic component parts construe temporary but stable configurations that partake in people's worldmaking efforts. I use ethnography from the Warao and how their crafts, especially hammocks, become differently as they entangle various assemblages. I investigate three fields of assemblages in order to discern how the human/nonhuman entanglements unfold, namely household, market and museum.
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来源期刊
CiteScore
1.80
自引率
0.00%
发文量
30
期刊介绍: The Journal of Material Culture is an interdisciplinary journal designed to cater for the increasing interest in material culture studies. It is concerned with the relationship between artefacts and social relations irrespective of time and place and aims to systematically explore the linkage between the construction of social identities and the production and use of culture. The Journal of Material Culture transcends traditional disciplinary and cultural boundaries drawing on a wide range of disciplines including anthropology, archaeology, design studies, history, human geography, museology and ethnography.
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