火地岛博物馆与人类学话语:世界上最南端的两个博物馆(阿根廷的世界博物馆和智利的Antropológico Martín古辛德博物馆)中火地岛土著社会表现的比较

IF 0.7 Q3 ANTHROPOLOGY
Danae Fiore, Ana Butto
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引用次数: 2

摘要

在本文中,我们分析了世界上最南端的两个博物馆的博物馆脚本和展览:Museo del Fin del Mundo (MFM,乌斯怀亚,阿根廷)和Museo Antropológico Martín Gusinde (MAMG, Puerto Williams,智利)。研究的重点是在火地岛居住(和仍然居住)的土著人民的代表。为此目的,比较分析是根据(a)所代表的土著社会;(b)展出的材料类型(考古、人种学、当代);(c)使用口头/书面/摄影资料;(d)每个陈列柜中使用的博物馆展品类型。分析的目的是确定和讨论关于土著Fuegian社会的不同潜在人类学话语,他们与过去和现在的联系,智利和阿根廷的史前和历史事件,他们在当代当地Fuegian社区中作为“主体”和/或“代理人”的知名度,以及他们参与博物馆展览的形成。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fuegian Museums and Anthropological Discourses: A Comparison of the Representations of Indigenous Societies from Tierra del Fuego in the Two Southernmost Museums in the World (Museo del Fin del Mundo, Argentina, and Museo Antropológico Martín Gusinde, Chile)

In this essay, we analyze the museum scripts and exhibitions at the two southernmost museums in the world: Museo del Fin del Mundo (MFM, Ushuaia, Argentina) and Museo Antropológico Martín Gusinde (MAMG, Puerto Williams, Chile). The research focuses on the representations of Fuegian Indigenous peoples who inhabited (and still inhabit) Tierra del Fuego. To this end, comparative analyses are based on (a) the Indigenous societies represented; (b) the types of materials exhibited (archaeological, ethnographic, contemporary); (c) the uses of oral/written/photographic information; and (d) the types of museum displays used in each display case. The analyses aim to identify and discuss the different underlying anthropological discourses about the Indigenous Fuegian societies, their associations with past and present, prehistoric and historical events in Chile and Argentina, their visibility as “subjects” and/or “agents” within the contemporary local Fuegian communities, and their involvement in the formation of the museum's exhibitions.

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来源期刊
Museum Anthropology
Museum Anthropology ANTHROPOLOGY-
CiteScore
0.80
自引率
75.00%
发文量
23
期刊介绍: Museum Anthropology seeks to be a leading voice for scholarly research on the collection, interpretation, and representation of the material world. Through critical articles, provocative commentaries, and thoughtful reviews, this peer-reviewed journal aspires to cultivate vibrant dialogues that reflect the global and transdisciplinary work of museums. Situated at the intersection of practice and theory, Museum Anthropology advances our knowledge of the ways in which material objects are intertwined with living histories of cultural display, economics, socio-politics, law, memory, ethics, colonialism, conservation, and public education.
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