{"title":"对社区组织Tupac Amaru (Jujuy-Argentina)工作的公众全景的解释练习","authors":"Melina Gaona","doi":"10.19177/RCC.V13E22018269-280","DOIUrl":null,"url":null,"abstract":"This essay looks at the Social organization Tupac Amaru’s architectural work in Jujuy in order to analyze it from a cultural critic. The territory chosen for the analysis consists on a thematic and an aquatic park, and a replica temple of Kalasasaya and La Puerta del Sol y la Luna, all located in the country-club for the poor in San Salvador de Jujuy. We approach this piece from different esthetical and political views trying to dissemble the multitudinary procedures, and how they reactivated new local senses of citizenship, capitalism, market, consumption and the most traditional ways of belonging.","PeriodicalId":55625,"journal":{"name":"Revista Critica Cultural","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2018-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ejercicio interpretativo sobre el panorama público de la obra de la organización barrial Tupac Amaru (Jujuy-Argentina)\",\"authors\":\"Melina Gaona\",\"doi\":\"10.19177/RCC.V13E22018269-280\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay looks at the Social organization Tupac Amaru’s architectural work in Jujuy in order to analyze it from a cultural critic. The territory chosen for the analysis consists on a thematic and an aquatic park, and a replica temple of Kalasasaya and La Puerta del Sol y la Luna, all located in the country-club for the poor in San Salvador de Jujuy. We approach this piece from different esthetical and political views trying to dissemble the multitudinary procedures, and how they reactivated new local senses of citizenship, capitalism, market, consumption and the most traditional ways of belonging.\",\"PeriodicalId\":55625,\"journal\":{\"name\":\"Revista Critica Cultural\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2018-12-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista Critica Cultural\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.19177/RCC.V13E22018269-280\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Critica Cultural","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19177/RCC.V13E22018269-280","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
摘要
本文以社会组织Tupac Amaru在胡胡伊的建筑作品为研究对象，从文化批评家的角度对其进行分析。选择用于分析的区域包括一个主题和一个水上公园，以及Kalasasaya神庙和La Puerta del Sol y La Luna的复制品，所有这些都位于San Salvador de Jujuy的穷人乡村俱乐部。我们从不同的美学和政治观点来处理这件作品，试图掩盖多重程序，以及它们如何重新激活新的地方公民意识、资本主义、市场、消费和最传统的归属感方式。
Ejercicio interpretativo sobre el panorama público de la obra de la organización barrial Tupac Amaru (Jujuy-Argentina)
This essay looks at the Social organization Tupac Amaru’s architectural work in Jujuy in order to analyze it from a cultural critic. The territory chosen for the analysis consists on a thematic and an aquatic park, and a replica temple of Kalasasaya and La Puerta del Sol y la Luna, all located in the country-club for the poor in San Salvador de Jujuy. We approach this piece from different esthetical and political views trying to dissemble the multitudinary procedures, and how they reactivated new local senses of citizenship, capitalism, market, consumption and the most traditional ways of belonging.
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