Angelica Mesiti的世界公民*

IF 0.4 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
OCTOBER Pub Date : 2021-09-01 DOI:10.1162/octo_a_00434
D. Rodowi̇ck
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引用次数: 0

摘要

摘要在这篇文章中,我回顾了2019年在东京宫举办的一场名为“当说正在做”的展览,该展览展出了当代澳大利亚艺术家安吉莉卡·梅西蒂的作品,她致力于多屏幕运动图像装置中的表演、移民和非语言交流问题。在当代全球舞台上,如果我们不共享同一个或多个语言社区,那么人类的相互关系是如何通过其他形式的普通语言来表达的,在这种语言中,“语言”现在被认为不是言语,而是人类最多样、最复杂的表现形式的表现力?当共享语言既不是语言意义上的“言语”也不是对话时,会发生什么?这里需要一个新想象的人类社区可交流性的愿景,我称之为“邻居”。将梅西蒂的作品与斯坦利·卡维尔和其他评论家进行富有成效的对话,我研究了在当代艺术中,孤立、隐私和未知等持怀疑态度的问题是如何被潜在地解决和回应的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Angelica Mesiti's World Citizens∗
Abstract In this essay, I review a 2019 exhibition at the Palais de Tokyo entitled When Saying Is Doing, which featured work by Angelica Mesiti, a contemporary Australian artist who works on questions of performance, immigration, and non-verbal communication in multi-screen moving image installations. On the contemporary global stage, if we do not share the same linguistic community or communities, how is human interrelatedness expressed through other forms of ordinary language, where “language” is now considered not as speech but rather as human expressiveness in its most diverse and complex manifestations? What happens when shared language is neither “speech” nor conversation in the linguistic sense? Needed here is a newly imagined vision of the communicability of human community that I refer to as “neighboring.” Putting Mesiti's work in productive dialogue with Stanley Cavell and other critics, I examine how skeptical problems of isolation, privacy, and unknownness are potentially addressed and responded to in contemporary art.
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来源期刊
OCTOBER
OCTOBER HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
33.30%
发文量
0
期刊介绍: At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today"s artistic, intellectual, and critical vanguard.
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