一位女士的肖像:新教利姆纳埃丝特·英格利斯的自我介绍

IF 1.2 1区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
Georgianna Ziegler
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引用次数: 0

摘要

埃丝特·英格利斯(Esther Inglis,约1570–1624),法裔苏格兰作家,以其手稿书籍而闻名,以多种手写风格书写,并用黑白或彩色的钢笔或笔触装饰。在她现存的大约60份手稿中,大约有25份包含自画像,直到现在还没有对其进行详细检查。本文考察了法国女作家手稿和版画中不断发展的作者肖像,以及肖像版画和微缩模型,考虑到它们对英格利斯的影响。它进一步展示了她是如何在跨国新教人文主义和诗学的更广泛背景下,跨越性别、语言和国籍的界限,创造自我的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Portraits of a Lady: The Self-Presentation of Esther Inglis, Protestant Limner
Esther Inglis (ca. 1570–1624), a Franco-Scottish writer, is known for her manuscript books, written in many handwriting styles and decorated with pen or brushwork in black-and-white or color. About twenty-five of her sixty or so surviving manuscripts contain self-portraits, which until now have not been examined in detail. This essay surveys the developing author portrait in manuscript and print for French women writers, along with portrait engravings and miniatures, considering their influence on Inglis. It shows further how she created a self within the broader context of transnational Protestant humanism and poetics, crossing boundaries of gender, language, and nationality.
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来源期刊
RENAISSANCE QUARTERLY
RENAISSANCE QUARTERLY MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.40
自引率
16.70%
发文量
108
期刊介绍: Starting with volume 62 (2009), the University of Chicago Press will publish Renaissance Quarterly on behalf of the Renaissance Society of America. Renaissance Quarterly is the leading American journal of Renaissance studies, encouraging connections between different scholarly approaches to bring together material spanning the period from 1300 to 1650 in Western history. The official journal of the Renaissance Society of America, RQ presents twelve to sixteen articles and over four hundred reviews per year.
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