lucrecia martel电影中的电影复调&《无头女人》中叙事电影的音乐性

Q3 Arts and Humanities

International Journal of Film and Media Arts Pub Date : 2018-12-30 DOI:10.24140/ijfma.v3.n2.02

Jerónimo Sarmiento

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引用次数: 0

摘要

本文概述了小说电影语言中的音乐性概念，理解了这两种艺术形式的比较分析，并将电影视为一种潜在的音乐结构。此外，对复调音乐纹理的研究及其在对Lucrecia Martel电影（即她2007年的电影《无头女人》）的形式分析中的系统应用，为这位阿根廷电影制作人的声音和图像作品的美学价值提供了一个新的视角，揭示了小说电影叙事的其他形式。KINO-EYES&对电影制作的反思

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CINEMATIC POLYPHONY IN LUCRECIA MARTEL’S CINEMA THE MUSICALITY OF NARRATIVE FILM IN ‘THE HEADLESS WOMAN’

This paper provides an overview on the concept of musicality in fiction cinema language, understanding the comparative analysis of both art forms and considering cinema as a potentially musical construction. Furthermore, the examination of polyphonic musical textures and its methodical application in the formal analysis of Lucrecia Martel’s cinema (namely in her 2007 film The Headless Woman) provides a new perspective on the aesthetical values of the Argentinean filmmaker’s work with sound and image, which unveils other forms of assuming fiction film narration. KINO EYES – REFLECTION ON AND ABOUT FILMMAKING

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来源期刊

International Journal of Film and Media Arts Arts and Humanities-Visual Arts and Performing Arts

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0.20

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0.00%

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