没有手指的人,没有脚趾的人

IF 0.2 0 LITERARY THEORY & CRITICISM
Kit Dobson
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引用次数: 0

摘要

摘要一旦流氓骑着马冲向日落,会发生什么?这篇跨类型的文章考虑了流氓在世界压力面前的衰落和逐渐解体。多布森从年轻时包围他的人——尤其是他的祖父——失去的“无赖”手指和其他身体部位开始,考虑了农村环境中的劳动力成本和贫困。对他来说,流氓是一个在某种程度上脱离了文化、社会和政治规范的人——一个决定走出体制、走出腐败分子及其高调方式的人。这样做是有代价的。本文转向作家乔治·瑞加的生活和帕特里克·莱恩的诗歌和小说,探讨了与阿尔伯塔省和不列颠哥伦比亚省农村环境有关的多部作品中越轨行为的真实、物理、物质和社会成本。这篇文章展示了非常真实的暴力形式对流氓的管教方式,将流氓推回屈服或精神错乱,回到流氓最初来源的阴暗过去。这篇文章在表达同情的同时,抵制了怀旧情绪,深入探讨了一个无赖的利害关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Men Without Fingers, Men Without Toes
Abstract What happens once the rogue rides off into the sunset? This cross-genre essay considers the figure of the rogue’s decline and gradual dismemberment in the face of the pressures of the world. Beginning with the “rogue” digits and other body parts lost by the men who surrounded him in his youth—especially his grandfather—Dobson considers the costs of labour and poverty in rural environments. For him, the rogue is one who falls somehow outside of cultural, social, and political norms—the one who has decided to step outside of the establishment, outside of the corrupt élites and their highfalutin ways. To do so comes at a cost. Turning to the life of writer George Ryga and to the poetry and fiction of Patrick Lane, this essay examines the real, physical, material, and social costs of transgression across multiple works linked to rural environments in Alberta and British Columbia. The essay shows the ways in which very real forms of violence discipline the rogue, pushing the rogue back into submission or out of mind, back into the shadowy past from whence the rogue first came. Resisting nostalgia while evincing sympathy, this essay delves into what is at stake for one who would become a rogue.
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
0
审稿时长
23 weeks
期刊介绍: Text Matters: A Journal of Literature, Theory and Culture, based at the University of Łódź, is an international and interdisciplinary journal, which seeks to engage in contemporary debates in the humanities by inviting contributions from literary and cultural studies intersecting with literary theory, gender studies, history, philosophy, and religion. The journal focuses on textual realities, but contributions related to art, music, film and media studies addressing the text are also invited. Submissions in English should relate to the key issues delineated in calls for articles which will be placed on the website in advance. The journal also features reviews of recently published books, and interviews with writers and scholars eminent in the areas addressed in Text Matters. Responses to the articles are more than welcome so as to make the journal a forum of lively academic debate. Though Text Matters derives its identity from a particular region, central Poland in its geographic position between western and eastern Europe, its intercontinental advisory board of associate editors and internationally renowned scholars makes it possible to connect diverse interpretative perspectives stemming from culturally specific locations. Text Matters: A Journal of Literature, Theory and Culture is prepared by academics from the Institute of English Studies with considerable assistance from the Institute of Polish Studies and German Philology at the University of Łódź. The journal is printed by Łódź University Press with financial support from the Head of the Institute of English Studies. It is distributed electronically by Sciendo. Its digital version published by Sciendo is the version of record. Contributions to Text Matters are peer reviewed (double-blind review).
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