外国直接投资对中国当代艺术游戏的影响——以Uli Sigg、Guy Ullens等人为例，1989-2013

IF 0.5 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY Pub Date : 2021-08-31 DOI:10.1080/10632921.2021.1918597

Shucheng Wang

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引用次数: 0

摘要

摘要中国当代艺术的繁荣是1978年中国对外国投资和私营企业开放的结果，也是长期赞助人收藏家（如Uli Sigg和Guy Ullens）的跨国艺术企业在1989年至2013年间做出的重大贡献。通过私人市场机制和国家遗产程序之间的差距为“艺术游戏”提供的机会，这些投资者使用了有争议的“萨奇模型”的变体来产生高投资回报率。进一步的效果是将CCA带到全球舞台上，完善艺术产业的生态系统，为后毛时代的中国艺术经济奠定基础。

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Foreign (In)Direct Investment in Chinese Contemporary Art Game: The Case Studies of Uli Sigg, Guy Ullens and beyond, 1989-2013

Abstract The boom in Chinese contemporary art is the result of China’s opening to foreign investment and private entrepreneurship in 1978, and the significant contribution by the transnational art enterprises of long-term patron-investor-collectors, such as Uli Sigg and Guy Ullens, between approximately 1989 and 2013. Through the opportunity offered by the gap between the private market mechanism and national heritage process for the “art game”, these investors used a variation of the controversial “Saatchi model” to generate high ROI. A further effect has been to bring CCA onto the global stage and complete the ecosystem of the art industry, building a foundation for the art economy of post-Mao China.

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来源期刊

JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY HUMANITIES, MULTIDISCIPLINARY-

CiteScore

1.50

自引率

0.00%

发文量

期刊介绍： How will technology change the arts world? Who owns what in the information age? How will museums survive in the future? The Journal of Arts Management, Law, and Society has supplied answers to these kinds of questions for more than twenty-five years, becoming the authoritative resource for arts policymakers and analysts, sociologists, arts and cultural administrators, educators, trustees, artists, lawyers, and citizens concerned with the performing, visual, and media arts, as well as cultural affairs. Articles, commentaries, and reviews of publications address marketing, intellectual property, arts policy, arts law, governance, and cultural production and dissemination, always from a variety of philosophical, disciplinary, and national and international perspectives.