作为分析标准的时空语义对立:斯堪的纳维亚诗歌阅读示例(Staffeldt,Ibsen,Christensen,Tranströmer)

IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS
H. Fürstenberg
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引用次数: 0

摘要

空间语义对立分析——由Jurij Lotman发展并由Karl Renner和Hans Krah扩展——在分析散文方面比分析诗歌发挥更大的作用。然而,对空间和时间对立、子空间拓扑和语义特征的联系以及可能的边界和它们的潜在交叉的关注可以对抒情文本的解释做出重大贡献,也可以指导对适当诗歌中非空间文本结构(如用词、母题和视角)的解释。这在对诗歌《独立》(A. W. Schack von Staffeldt, 1804)的分析中得到了说明;“Borte !(亨里克·易卜生,1871);“Hvis jeg st”(英格·克里斯滕森,1962)和“Resan”(托马斯Tranströmer, 1962)。本文进一步对抒情文本的特定空间语义作了一般性的论述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Raum- und zeitsemantische Oppositionen als Analysekriterium: Beispiellektüren skandinavischer Gedichte (Staffeldt, Ibsen, Christensen, Tranströmer)
Zusammenfassung The analysis of space-semantic oppositions – as developed by Jurij Lotman and extended by Karl Renner and Hans Krah – plays a much greater role in analysing prose than poetry. However, the focus on spatial and temporal oppositions, the connection of topological and semantic features of subspaces, as well as possible borders and their potential crossing can make a significant contribution to the interpretation of lyrical texts and also guide the interpretation of non-spatial text structures – such as word choice, motifs, and perspective – in appropriate poems. This is illustrated in the analysis of the poems “Indvielsen” (A. W. Schack von Staffeldt, 1804); “Borte!” (Henrik Ibsen, 1871); “Hvis jeg står” (Inger Christensen, 1962) and “Resan” (Tomas Tranströmer, 1962). The paper further makes a general point about a specific space semantics for lyrical texts.
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CiteScore
0.10
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发文量
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