{"title":"Alexei colneac的一系列自画像","authors":"Dmitri Sibaev","doi":"10.52603/arta.2021.30-1.21","DOIUrl":null,"url":null,"abstract":"Alexei Colîbneac is one of the notorious graphic designers of the national art. Many distinctions and the presence of works in important public collections are proof of the artist’s mastery and of the intellectual message of his artistic discourse. In his imposing creation, we notice numerous series of drawings; one of them being the series of self-portraits, which was not exploited in theoretical studies. Researching the history of value appreciation of the artist’s creation, we found an impressive number of periodicals and publications, but too few scientific. In the series of self-portraits, on which the artist worked at different stages of his life, we see the author in a wide variety of states of mind and spirit. Based on these works, we trace the formation of the artist’s personality: from adolescence, youth, to maturity, in which A. Colîbneac fully demonstrates the ability to ask complex questions of an existential nature or to show slight self-irony, drawing some compositions as if joking. The drawings are made in various techniques of graphics, also the artist uses different languages for dealing with form and space, in some works strictly linear, in others using chiaroscuro. When the observer and the subject are the same person, the spectator witnesses an intimate monologue that constitutes an act of self-knowledge through plastic language.","PeriodicalId":55785,"journal":{"name":"Arta","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Alexei Colîbneac’s series of self-portraits\",\"authors\":\"Dmitri Sibaev\",\"doi\":\"10.52603/arta.2021.30-1.21\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Alexei Colîbneac is one of the notorious graphic designers of the national art. Many distinctions and the presence of works in important public collections are proof of the artist’s mastery and of the intellectual message of his artistic discourse. In his imposing creation, we notice numerous series of drawings; one of them being the series of self-portraits, which was not exploited in theoretical studies. Researching the history of value appreciation of the artist’s creation, we found an impressive number of periodicals and publications, but too few scientific. In the series of self-portraits, on which the artist worked at different stages of his life, we see the author in a wide variety of states of mind and spirit. Based on these works, we trace the formation of the artist’s personality: from adolescence, youth, to maturity, in which A. Colîbneac fully demonstrates the ability to ask complex questions of an existential nature or to show slight self-irony, drawing some compositions as if joking. The drawings are made in various techniques of graphics, also the artist uses different languages for dealing with form and space, in some works strictly linear, in others using chiaroscuro. When the observer and the subject are the same person, the spectator witnesses an intimate monologue that constitutes an act of self-knowledge through plastic language.\",\"PeriodicalId\":55785,\"journal\":{\"name\":\"Arta\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Arta\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.52603/arta.2021.30-1.21\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arta","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52603/arta.2021.30-1.21","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
Alexei colbneac是民族艺术中臭名昭著的平面设计师之一。许多杰出的作品和在重要公共收藏中的存在证明了艺术家的精通和他的艺术话语的知识信息。在他气势恢宏的创作中,我们看到了许多系列的绘画;其中一个是自画像系列,这在理论研究中没有被利用。研究艺术家创作价值升值的历史,我们发现大量的期刊和出版物,但科学的太少。在这一系列的自画像中,我们看到了艺术家在他生命的不同阶段所创作的作品,作者的思想和精神状态各不相同。通过这些作品,我们追溯了艺术家性格的形成:从青春期,青年期,到成熟期,在这段时间里,A. col bneac充分展示了提出存在性复杂问题的能力,或者表现出轻微的自我讽刺,画了一些像开玩笑一样的作品。这些绘画采用了不同的图形技术,艺术家也使用不同的语言来处理形式和空间,在一些作品中使用严格的线性,在另一些作品中使用明暗对比。当观察者和主体是同一个人时,观众见证了一场亲密的独白,这种独白通过塑性语言构成了一种自我认识的行为。
Alexei Colîbneac is one of the notorious graphic designers of the national art. Many distinctions and the presence of works in important public collections are proof of the artist’s mastery and of the intellectual message of his artistic discourse. In his imposing creation, we notice numerous series of drawings; one of them being the series of self-portraits, which was not exploited in theoretical studies. Researching the history of value appreciation of the artist’s creation, we found an impressive number of periodicals and publications, but too few scientific. In the series of self-portraits, on which the artist worked at different stages of his life, we see the author in a wide variety of states of mind and spirit. Based on these works, we trace the formation of the artist’s personality: from adolescence, youth, to maturity, in which A. Colîbneac fully demonstrates the ability to ask complex questions of an existential nature or to show slight self-irony, drawing some compositions as if joking. The drawings are made in various techniques of graphics, also the artist uses different languages for dealing with form and space, in some works strictly linear, in others using chiaroscuro. When the observer and the subject are the same person, the spectator witnesses an intimate monologue that constitutes an act of self-knowledge through plastic language.