绝症文件:蜉蝣的持久影响

Q3 Arts and Humanities
Deama Khader
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引用次数: 0

摘要

乔治·弗洛伊德(George Floyd)和阿赫德·塔米米(Ahed Tamimi)等文化偶像的壁画和肖像不仅仅是美学上吸引人的对象。它们可以激励观众行动起来,参加抗议活动,并分享他们对某个问题的感受,无论是以更多街头艺术的形式,还是像社交媒体帖子这样简单的形式。社会和政治运动往往就是这样产生的。街头艺术对信息专业人员来说是一个独特的挑战,因为这些文件是为了消失而创作的。它们是患有绝症的文件。他们的短命是他们的病。根据文献学会的说法,一份文献包含以下方面:指数性、多样性、固定性、文献性和生产力——面对消失的困难结构。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Terminally Ill Documents: The Lasting Impact of Ephemera
Murals and portraits of cultural icons such as George Floyd and Ahed Tamimi are more than aesthetically engaging objects. They can inspire viewers to act, attend protests, and share their own feelings on an issue, whether that be in the form of more street art or something as simple as a social media post. This is often how social and political movements are made. Street art poses a unique challenge to information professionals since the documents that are created with the intention or expectation of disappearance. They are documents suffering from terminal illness. Their ephemerality is their disease. Per the Document Academy, a document contains the following aspects: indexicality, plurality, fixity, documentality, and productivity – difficult constructs in the face of disappearance.
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来源期刊
Proceedings from the Document Academy
Proceedings from the Document Academy Arts and Humanities-Conservation
CiteScore
0.10
自引率
0.00%
发文量
9
审稿时长
10 weeks
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