作为后现代主义方法论问题的一个时期审美意识中的历史艺术造型

T. Marchenko, S. Komarov, Maryna Shkuropat, Iryna S. Skliar, Yevgeniya Bielitska
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引用次数: 1

摘要

小说史创作于世界艺术发展的某个时期,它不仅体现了一系列作者个人的创作行为,而且是受多种客观审美和非审美因素制约的唯一“艺术历史模式”。因此,虚构的历史代表了国家世界观不可分割的一部分。它的探索需要方法的组合统一。本文提出了一套现代方法论原则,用于研究同步层面(一定时期)审美意识中的历史艺术造型过程及其在文学作品中的表现。以后现代哲学为基础的现代跨学科人文学科的先进方法与学术文学批评方法相结合。因此,在科学方法的选择组合中,结构符号学和结构类型学方法、神话学和神话还原、意象学、解释学和接受美学的启发潜力与系统和描述性分析方法相关。这种多样的理论组合,在研究中存在着一种“方法论正弦曲线”,相互补充,并不矛盾。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Artistic Modelling of History in the Aesthetic Consciousness of a Time Period as a Methodological Problem of Postmodernism
Created during a certain time period of the world’s art development, fictional history embodies not only a set of individual authorial creative acts, but it is the only "artistic-historical model" conditioned by a number of objective aesthetic and non-aesthetic factors. As such, fictional history represents an integral part of the national worldview. Its exploration requires a combinatorial unity of methods. The article proposes a set of modern methodological principles for studying the processes of artistic modelling of history in the aesthetic consciousness on the synchronous level (a certain time period) and their representation in literary works. The methods of academic literary criticism are combined with the advanced methods of modern interdisciplinary humanities that are based on postmodern philosophy. Thus, in the chosen combination of the scientific approaches, the heuristic potential of the structural-semiotic and structural-typological methods, mythopoetics and myth-restoration, imagology, hermeneutics, and receptive aesthetics, correlates with the methods of systematic and descriptive analysis. Such diverse theoretical combinations, the existence of a kind of "methodological sinusoid" within the study, do not contradict but complement each other.
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来源期刊
Postmodern Openings
Postmodern Openings SOCIAL SCIENCES, INTERDISCIPLINARY-
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