“日常保真”:无处不在的听力实践中的音质分析

IF 1.3 3区 艺术学 0 MUSIC
Pat O’Grady
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引用次数: 0

摘要

摘要研究表明,录音音乐的消费者更喜欢便携性,而不是高保真度。近年来,蓝牙耳机和扬声器等无线技术已成为一种流行的听音乐方式。这项技术可以在“无处不在的聆听”中进行语境化,这描述了对许多听众来说,音乐不是一项独立的活动。本文研究了无线耳机和扬声器,以考虑“无处不在的聆听”实践如何塑造我们对便携性和保真度的渴望。这篇文章提出了“日常保真度”一词来描述听众如何根据某个时间点的活动来寻求不同的保真度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Everyday Fidelity”: Analyzing Sound Quality in Ubiquitous Listening Practices
ABSTRACT Studies have suggested that consumers of recorded music favor portability over high fidelity. In recent years, wireless technologies – such as Bluetooth headphones and speakers – have become a popular way to listen to music. The technology can be contextualized within “ubiquitous listening,” which describes how music is, for many listeners, not a standalone activity. This article examines wireless headphones and speakers to consider how “ubiquitous listening” practices shape our desires for portability and fidelity. The article proposes the term “everyday fidelity” to describe how listeners might seek out distinct levels of fidelity based on their activities at one point in time.
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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
33
期刊介绍: Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.
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