1945- 50年代摩尔达维亚人的讽刺图片

Q4 Arts and Humanities
Arta Pub Date : 2022-09-01 DOI:10.52603/arta.2022.31-1.10
L. Adascalita
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引用次数: 0

摘要

讽刺图形作为一种视觉艺术类型,迄今为止还没有受到艺术现象研究者的重视。然而,这一流派经历了几个发展阶段,在艺术研究中引起了极大的兴趣,从几个美术艺术家发展了这种艺术创作开始,其中一些人成功地为所创造的图像赋予了原创的表达和信息。该研究审查了1945-1950年期间摩尔多瓦苏维埃社会主义共和国讽刺图形领域图像制作的主题和艺术指导方针(风格、材料、技术)。这一时期的标志是画家Iurie Rumeantsev, Simion Polinger和Boris Shirocorad在这一领域进行的塑料实验。这些讽刺漫画不仅在美术展览上展出,而且通过定期出版的方式,被大众所熟知。该研究补充了历史和档案参考资料,使其更容易带来最新的方面,这些方面是未知的,但对于了解参考时期讽刺图形演变的具体性质很重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Satirical graphics of the Moldavian in the period 1945-1950s
Until now, satirical graphics, as a genre of visual arts, has not received much attention from our researchers of artistic phenomena. However, this genre undergoing several stages of development, is of great interest in the study of the arts, starting from the fact that several fine arts artists have developed this kind of artistic creation, and some of them have managed to equip the images created with original expressions and messages. The study examines the thematic and artistic guidelines (figures of style, materials, techniques) for image production in the field of Moldavian SSR satirical graphics in the period 1945-1950. This period was marked by plastic experiments conducted in this field by the painters Iurie Rumeantsev, Simion Polinger, and Boris Shirocorad. The satirical graphics becomes promoted and known to the general public thanks to the display of works at exhibitions of fine art, but also through regular editions. The study is complemented by historical and archival references that made it easier to bring up to date aspects that were unknown but important for the knowledge of the specific nature of the satirical graphics evolution during the reference period.
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来源期刊
Arta
Arta Arts and Humanities-Visual Arts and Performing Arts
自引率
0.00%
发文量
19
审稿时长
32 weeks
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