{"title":"掩模切割：一种表演性的纠缠","authors":"T. Spry","doi":"10.1177/19408447221131023","DOIUrl":null,"url":null,"abstract":"This essay speaks to the vagaries of performing over zoom in the time of COVID arguing that the various materialities in performance intra-act to form a diffractive performative entanglement. Engaging a diffractive methodology, the cutting of my fascia-mask in performance provides an epistemological opening in ongoing sense making of COVID lived experience, an ontological and ironical reckoning of the three dimensional body flatten into pics, and the coauthorship that perhaps breaths life back into the body on papered stage.","PeriodicalId":90874,"journal":{"name":"International review of qualitative research : IRQR","volume":"16 1","pages":"9 - 23"},"PeriodicalIF":0.0000,"publicationDate":"2022-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Masking Cuts: A Performative Entanglement\",\"authors\":\"T. Spry\",\"doi\":\"10.1177/19408447221131023\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay speaks to the vagaries of performing over zoom in the time of COVID arguing that the various materialities in performance intra-act to form a diffractive performative entanglement. Engaging a diffractive methodology, the cutting of my fascia-mask in performance provides an epistemological opening in ongoing sense making of COVID lived experience, an ontological and ironical reckoning of the three dimensional body flatten into pics, and the coauthorship that perhaps breaths life back into the body on papered stage.\",\"PeriodicalId\":90874,\"journal\":{\"name\":\"International review of qualitative research : IRQR\",\"volume\":\"16 1\",\"pages\":\"9 - 23\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-10-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International review of qualitative research : IRQR\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/19408447221131023\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International review of qualitative research : IRQR","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/19408447221131023","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This essay speaks to the vagaries of performing over zoom in the time of COVID arguing that the various materialities in performance intra-act to form a diffractive performative entanglement. Engaging a diffractive methodology, the cutting of my fascia-mask in performance provides an epistemological opening in ongoing sense making of COVID lived experience, an ontological and ironical reckoning of the three dimensional body flatten into pics, and the coauthorship that perhaps breaths life back into the body on papered stage.
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