张开耳朵,巴黎达达!你的音乐来自哪里?

IF 0.2 4区 文学 0 LITERATURE, ROMANCE
P. Dayan
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引用次数: 0

摘要

历史记载告诉我们,在巴黎达达主义活动中演奏了多种音乐。有来自当代高雅艺术传统的钢琴曲;有爵士乐;还有“反音乐”,后来由作曲家乔治·里贝蒙-德塞涅(Georges Ribemont-Dessaignes)描述(不完全可信)。这些音乐在特里斯坦·查拉的巴黎达达宣言中找不到可听的回声。音乐是他对达达主义论述的中心;但它是一种超越时间的音乐,通过物理乐器来体现,而不是在现场表演中演奏并被观众实时接收的音乐。原因是达达主义拒绝将艺术视为任何可以被定义的东西,或者是由人类代理人发送的信息的交流。在达达主义中,乐器作为一种物理对象,不能被看穿艺术或超越的艺术家。从很多方面来说,这是一个逻辑上站不住脚的立场,因为我们一直相信,我们听到的音乐不仅仅是演奏它的乐器。为了让达达占据这个站不住脚的位置,必须说谎。但是查拉假定了这些谎言,以及它们的必要性;我也是。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Open Your Ears, Paris Dada! Where Is Your Music Coming From?
The historical record tells us that music of many kinds was played at Paris Dada events. There was piano music from the contemporary high art tradition; there was jazz; and there was also ‘anti-music’, later described (not entirely credibly) by its composer Georges Ribemont-Dessaignes. None of this music finds an audible echo in the Paris Dada manifestos of Tristan Tzara. Music is central to his discourse on Dada; but it is music as incarnated, out of time, by the physical musical instrument, not music as it was played in live performance and received by an audience in real time. The reason is the Dada refusal to see art as anything that can be defined, or as the communication of a message sent by a human agent. The instrument, as a physical object, cannot, in Dada, be seen through to the art or the artist beyond. This is in many ways a logically untenable position, because we never cease to believe that the music we hear is something more than the instrument on which it is played. Lies have to be told in order for Dada to occupy that untenable position. But Tzara assumes those lies, and the necessity for them; and so do I.
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来源期刊
Nottingham French Studies
Nottingham French Studies LITERATURE, ROMANCE-
CiteScore
0.20
自引率
0.00%
发文量
20
期刊介绍: Nottingham French Studies is an externally-refereed academic journal which, from Volume 43, 2004, appears three times annually, with at least one special and one general issue each year. Its Editorial Board is drawn from members of the Department of French and Francophone Studies of the University of Nottingham, with the support of an International Advisory Board.
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