{"title":"歌唱与礼拜仪式:音乐实践与教会规范之间的音乐反思","authors":"Daniele Torelli","doi":"10.54103/1971-8543/18607","DOIUrl":null,"url":null,"abstract":"SOMMARIO: Premessa - 1. Canto e liturgia - 2. Dal canto gregoriano al canto piano - 3. La musica figurata, l’organo, le cappelle musicali. \nChant and music in the liturgy: musicological observations between musical practice and ecclesiastical regulations * \nABSTRACT: Chant, polyphony, the role of the organ, and other forms of music performed in the liturgy are examined from the middle ages to the early modern era in order to point out ecclesiastical regulations and possible legislation.","PeriodicalId":30314,"journal":{"name":"Stato Chiese e Pluralismo Confessionale","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Il canto e la liturgia: riflessioni musicologiche fra prassi musicali e prescrizioni ecclesiastiche\",\"authors\":\"Daniele Torelli\",\"doi\":\"10.54103/1971-8543/18607\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"SOMMARIO: Premessa - 1. Canto e liturgia - 2. Dal canto gregoriano al canto piano - 3. La musica figurata, l’organo, le cappelle musicali. \\nChant and music in the liturgy: musicological observations between musical practice and ecclesiastical regulations * \\nABSTRACT: Chant, polyphony, the role of the organ, and other forms of music performed in the liturgy are examined from the middle ages to the early modern era in order to point out ecclesiastical regulations and possible legislation.\",\"PeriodicalId\":30314,\"journal\":{\"name\":\"Stato Chiese e Pluralismo Confessionale\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-08-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Stato Chiese e Pluralismo Confessionale\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.54103/1971-8543/18607\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Stato Chiese e Pluralismo Confessionale","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54103/1971-8543/18607","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Il canto e la liturgia: riflessioni musicologiche fra prassi musicali e prescrizioni ecclesiastiche
SOMMARIO: Premessa - 1. Canto e liturgia - 2. Dal canto gregoriano al canto piano - 3. La musica figurata, l’organo, le cappelle musicali.
Chant and music in the liturgy: musicological observations between musical practice and ecclesiastical regulations *
ABSTRACT: Chant, polyphony, the role of the organ, and other forms of music performed in the liturgy are examined from the middle ages to the early modern era in order to point out ecclesiastical regulations and possible legislation.