基督教传统主题与古英语诗歌中的Cynewulfian社会

IF 0.2 3区 文学 0 LANGUAGE & LINGUISTICS
Paul Battles
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引用次数: 1

摘要

摘要:关于古英语诗歌中的传统主题,人们已经写了很多文章,但具体到基督教主题,人们还没有讨论过。本文提供了一个分析古英语宗教主题的框架,将其与来源研究所追踪的地形区分开来,然后将其应用于我称之为“开放的天堂”的主题。这个主题在四首古英语诗歌中总共出现了七次。传统上,Scholarship将其中三本书——《安德烈亚斯》、《基督与撒旦》和《古特拉克A》——与Cynewulf集团联系在一起。我认为,辛纽佛诗歌所共有的公式和主题见证了一种共同的诗歌社会学观点,一种传统中的传统。Cynewulf是这一分支中最重要的作者,但正如这项对“开放的天堂”主题的研究所表明的那样,他并不是这一分支的创始人;因此,安德里亚斯、基督和撒旦,以及古特拉克A都不可能从他那里得到“开放的天堂”。其他基督教主题有待发现,比如《开放的天堂》,这些主题告诉我们很多关于古英国诗歌传统的发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Christian Traditional Themes and the Cynewulfian Sociolect in Old English Verse
Abstract:Much has been written about traditional themes in Old English verse, but specifically Christian themes have not been discussed. The present essay provides a framework for analyzing Old English religious themes—distinguishing them from the topoi traced by source studies—and then applies this to a theme I call "The Open Heavens." This theme occurs a total of seven times in four Old English poems. Scholarship has traditionally linked three of these texts—Andreas, Christ and Satan, and Guthlac A—with the Cynewulf group. I argue that the formulas and themes shared by the Cynewulfian poems witness a common poetic sociolect, a tradition within the tradition. Cynewulf is the most important author working within this subtradition, but, as this study of "The Open Heavens" theme illustrates, he did not originate it. While Cynewulf's works show a familiarity with the theme, they do not contain a clear-cut instance of it; thus, Andreas, Christ and Satan, and Guthlac A cannot have derived "The Open Heavens" from him. Other Christian themes await discovery, and, like "The Open Heavens," these have much to tell us about the development of the Old English poetic tradition.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
20
期刊介绍: Founded in 1903, Studies in Philology addresses scholars in a wide range of disciplines, though traditionally its strength has been English Medieval and Renaissance studies. SIP publishes articles on British literature before 1900 and on relations between British literature and works in the Classical, Romance, and Germanic Languages.
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