IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Nicola Kramp-Seidel
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引用次数: 0

摘要

摘要受访者通过植入一种风格,使用比喻和论证模式来构建他们的答案。因此,他们打算强调他们的答案的正确性,并展示他们的权威。由于这一事实,有必要将回应作为文学来考察——法律与文学运动的两种趋势之一。在本文中,我想分析一组名为Ele Divre ha-Brit的回应。1819年,汉堡的贝特丁(犹太教法庭)编辑了这22篇回应,以谴责改革者在汉堡实施的新改革。我的目标是看看这种狂热的气氛是否以及如何在修辞中可见。可以看出,作者使用了大量的修辞手法和文体手段来激发读者的情感。但是像“correctio”这样的论证模式也被用来强调答案的正确性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
»Der Satan tanzt«: Rhetorische Strategien in der Responsa-Sammlung Ele Divre ha-Brit
Abstract Respondents construct their answers by implanting a style, using tropes and patterns of argumentations. Thereby, they intend to emphasize the correctness of their answer and to stage their authority. Due to this fact it is worthwhile to examine responsa as literature – one of two trends in the Law-and-Literature-Movement. In this paper I want to analyse the collection of responsa called Ele Divre ha-Brit. This collection of 22 responsa was edited in 1819 by the Bet Din (rabbinical court) of Hamburg in order to condemn the new reforms in Hamburg implemented by the reformers. My goal is to see if and how the febrile atmosphere is visible in rhetoric. It can be shown that a lot of tropes and stylistic devices are used to emotionalise the reader. But patterns of argumentations like »correctio« are used as well with the intention to stress the correctness of the answers.
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