排他性文化政策的伤亡:探索美国黑人文化参与的悖论

IF 1.5 Q1 CULTURAL STUDIES
Antonio C. Cuyler
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引用次数: 0

摘要

摘要自从美国黑人被奴役以来,他们遭受了一些最令人发指的反人类罪行。然而,尽管文化政策旨在歧视、边缘化、压迫和征服他们,但黑人folx始终表现出非凡的创造力。这篇概念性文章探讨了三个研究问题:(1)美国的排斥性文化政策在哪些方面阻碍了美国黑人的文化参与,(2)美国黑人如何应对美国的排斥文化政策,(3)排斥文化政策可能对美国黑人的创造性和表达性生活产生什么纵向影响。美国创意产业?本文使用批判性种族理论(CRT)和解释性政策分析来确定种族主义已经并继续塑造美国黑人创造性和表达性生活的方式。在结束这篇文章时,我提出了一个研究议程,全面调查美国黑人的文化参与以及其他历史上和持续受压迫的群体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Casualties of exclusionary cultural policies: exploring the paradox of Black American cultural engagement
ABSTRACT Since their enslavement in the U. S. Black Americans have longitudinally suffered some of the most heinous crimes against humanity. Yet, despite cultural policies intended to discriminate against, marginalise, oppress, and subjugate them, Black folx have unfailingly demonstrated remarkable creative resilience. This conceptual article explores three research questions: (1) in what ways have exclusionary U. S. cultural policies discouraged Black Americans’ cultural engagement, (2) how have Black Americans responded to exclusionary cultural policies in the U. S. and (3) what longitudinal impacts might exclusionary cultural policies have on Black Americans’ creative and expressive lives, and the U. S. creative sector? This article used Critical Race Theory (CRT) and interpretive policy analysis to identify the ways in which racism has and continues to shape Black Americans’ creative and expressive lives. I conclude this article by making the case for a research agenda that comprehensively investigates Black Americans’ cultural engagement as well as other historically and continuously oppressed groups.
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来源期刊
Journal for Cultural Research
Journal for Cultural Research CULTURAL STUDIES-
CiteScore
1.40
自引率
0.00%
发文量
23
期刊介绍: JouJournal for Cultural Research is an international journal, based in Lancaster University"s Institute for Cultural Research. It is interested in essays concerned with the conjuncture between culture and the many domains and practices in relation to which it is usually defined, including, for example, media, politics, technology, economics, society, art and the sacred. Culture is no longer, if it ever was, singular. It denotes a shifting multiplicity of signifying practices and value systems that provide a potentially infinite resource of academic critique, investigation and ethnographic or market research into cultural difference, cultural autonomy, cultural emancipation and the cultural aspects of power.
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