生命本身:一篇关于遗产制造的感官和(潜在)终结的文章

Q1 Arts and Humanities
R. Bendix
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引用次数: 1

摘要

从物质遗产——令人愉悦的视觉和较小程度的触摸(通常物质遗产只能在一定范围内触摸)——扩展到非物质领域,表明对整个感官的反射性考虑增加了。随着2003年《非物质遗产公约》的批准,我们转而选择更充分地涉及身体和感官的文化习俗和观念作为遗产:音乐和舞蹈,以及体现手中知识和触摸技能的工艺传统。法国新的感官遗产法可能是文化某些方面价值化动态变化的一个重要标志。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Life Itself: An Essay on the Sensory and the (Potential) End of Heritage Making
The expansion from material heritage – pleasing sight and to a lesser extent touch (for very often material heritage may be touched only within limits) – to the realm of the intangible indicates an increase in the reflexive consideration of the full sensorium. With the ratification of the 2003 Intangible Heritage Convention, we have turned to select for heritage status cultural practices and perceptions entailing the body and the senses more fully: music and dance, as well as craft traditions exemplifying the knowledge in hands and the skill of touch.The new French sensory heritage law could be a significant marker in the changing dynamic of valorizing selected aspects of culture.
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来源期刊
Traditiones
Traditiones Arts and Humanities-Music
CiteScore
1.40
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0.00%
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12
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