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引用次数: 0
摘要
摘要在对Jean-Léon Gérôme作为一名历史画家的实践和意义进行重新评价的基础上，本文重点介绍了他最具争议性和创新性的作品之一《1815年法国大革命》（Le 7 décembre 1815，neuf heures du matin）。这幅画描绘了1815年马雷沙尔·米歇尔·奈被复辟政权处决后的直接后果。这篇文章特别重新评估了1868年巴黎沙龙对这幅画的震惊，并提出了对这幅画颠覆性品质的替代解读，无论是对第二帝国的公众还是二十一世纪的观众。
The Obverse View: Another Look at Jean-Léon Gérôme’s Le 7 décembre 1815, neuf heures du matin [The Execution of Marshal Ney] (1868)
ABSTRACT In the light of recent re-evaluations of Jean-Léon Gérôme’s practice and significance as a history painter, this article focuses on one of his more controversial and innovative artworks, Le 7 décembre 1815, neuf heures du matin. This painting depicts the immediate aftermath of maréchal Michel Ney’s execution by the Restoration regime in 1815. The article reassesses in particular the scandalised reception of the painting in the Paris Salon of 1868 and proposes alternative readings of the artwork’s subversive qualities, both for its Second Empire public and for its twentieth-first-century viewers.
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