Niq Mhlongo told us #FeesMustFall, or why the surface matters in Dog Eat Dog

In this paper, I investigate some of the reasons for the relative paucity of scholarly attention given to Niq Mhlongo’s debut novel, Dog Eat Dog . I argue that this text anticipates and articulates themes that are vital to contemporary South African culture generally, and to the academic space of the university specifically. For this reason, I contend that it is a work worthy of consideration, both because of its unusual form (it is a novel of ordeal rather than a Bildungsroman ), and its prescient depiction of issues to do with institutional racism and academic exclusion – subjects which were central during the student-led protests on South African campuses in 2015 and 2016. A principal thesis of this article is that one of the reasons for literary study’s unwillingness to engage with the novel is the discipline’s predisposition to a hermeneutics of suspicion, a method of analysis that I show is unsuited to Mhlongo’s text. Instead, I argue for the use of surface reading as a valid and appropriate praxis given the form and the content of Dog Eat Dog . Keywords: Niq Mhlongo, Dog Eat Dog , surface reading, #FeesMustFall, Novel of Ordeal