现代主义的色彩:颜料，颜料和20世纪20年代德国现代建筑的转变

IF 0.2 0 ARCHITECTURE

Fabrications-The Journal of the Society of Architectural Historians Australia and New Zealand Pub Date : 2022-09-02 DOI:10.1080/10331867.2022.2154429

Kathleen James-Chakraborty

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引用次数: 0

摘要

地区主义。尽管存在上述悬而未决的问题，但作者对弗兰普顿的全部作品和支撑其分析的批判理论都深谙其道，对《批判史》进行了密集的论证和详尽的解读，这是一本名副其实的杰作。阅读gevwork Hartoonian的阅读Kenneth Frampton将挑战并满足一代以上的建筑史学和批判实践爱好者。

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The Color of Modernism: Paints, Pigments, and the Transformation of Modern Architecture in 1920s Germany

regionalism. Despite the above open questions, this densely argued and elaborate reading of A Critical History is a veritable tour de force by an author who is well versed both in Frampton’s oeuvre and in the critical theory that sustains his analysis. Reading Gevork Hartoonian reading Kenneth Frampton will both challenge and satisfy more than one generation of aficionados of architectural historiography and critical praxis.

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来源期刊

Fabrications-The Journal of the Society of Architectural Historians Australia and New Zealand ARCHITECTURE-

CiteScore

0.50

自引率

25.00%

发文量