命名塑造我们的框架

IF 1.6 1区艺术学 0 MUSIC

MUSIC THEORY SPECTRUM Pub Date : 2021-02-07 DOI:10.1093/MTS/MTAA028

E. Marvin

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引用次数: 3

摘要

这篇介绍为音乐理论学会2019年全体会议“重构音乐理论”提供了背景。这四篇论文共同面对种族、民族、国籍、能力、性别和性的框架，这些框架世世代代束缚着音乐理论和音乐理论家，限制着我们学科的发展。他们探讨了社会人口结构缺乏多样性的潜在原因，并提出了一些方法，当我们接受这种多样性时，我们的研究可以得到丰富，从而带来更公平的未来。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Naming the Frames that Shape Us

This introduction provides context for the Society for Music Theory’s 2019 plenary session, “Reframing Music Theory.” These four papers together confront the frames of race, ethnicity, nationality, ability, gender, and sexuality that have bounded music theory and music theorists for generations, constraining what our discipline can be. They explore underlying reasons for the lack of diversity in the Society’s demographics and suggest ways that our research can be enriched when we embrace this diversity, to lead to a more equitable future.

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来源期刊

MUSIC THEORY SPECTRUM MUSIC-

CiteScore

2.30

自引率

20.00%

发文量

期刊介绍： A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.