蒙特勒的两个西蒙

IF 0.1 0 MUSIC

Jazz Research Journal Pub Date : 2022-12-20 DOI:10.1558/jazz.20551

Rashida K. Braggs

引用次数: 0

摘要

本文将妮娜·西蒙1976年的演唱会和丽莎·西蒙2016年在蒙特勒爵士音乐节的演唱会与作者的人生经历交织在一起。尽管历史时期和人之间发生了多次变化，但在整个节日体验中，对种族主义危险和解放希望的关注依然存在。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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two Simones at Montreux

This article weaves Nina Simone’s 1976 concert and Lisa Simone’s 2016 concert at the Montreux Jazz Festival with the author’s life experiences. Despite multiple shifts between historical period and person, attention to the dangers of racism and the hope for liberation persist throughout the festival experience.

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来源期刊

Jazz Research Journal MUSIC-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Jazz Research Journal explores a range of cultural and critical views on jazz. The journal celebrates the diversity of approaches found in jazz scholarship and provides a forum for interaction and the cross-fertilisation of ideas. It is a development and extension of The Source: Challenging Jazz Criticism founded in 2004 at the Leeds College of Music. The journal aims to represent a range of disciplinary perspectives on jazz, from musicology to film studies, sociology to cultural studies, and offers a platform for new thinking on jazz. In this respect, the editors particularly welcome articles that challenge traditional approaches to jazz and encourage writings that engage with jazz as a discursive practice. Jazz Research Journal publishes original and innovative research that either extends the boundaries of jazz scholarship or explores themes which are central to a critical understanding of the music, including the politics of race and gender, the shifting cultural representation of jazz, and the complexity of canon formation and dissolution. In addition to articles, the journal features a reviews section that publishes critical articles on a variety of media, including recordings, film, books, educational products and multimedia publications.