约旦漫画家对隐喻和转喻的混合分析,用来描绘本世纪的交易

IF 1.1 3区 心理学 0 LANGUAGE & LINGUISTICS
Aseel Zibin, A. R. Altakhaineh
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引用次数: 2

摘要

本研究分析了两位约旦漫画家设想的30幅描绘世纪交易的漫画。概念融合理论(Fauconier和Turner[2008,剑桥隐喻与思想手册,剑桥大学出版社,53-66])和多模式隐喻理论(Forceville,2008)被用作理论框架。研究结果表明,《世纪交易》的目标领域主要是通过具有转喻基础的分层隐喻和事件隐喻/寓言来概念化的。确定了五组:物体或涉及物体的情况、涉及人/人与物体的混合物的情况、动物或涉及动物的情况、武器和人的混合物,以及用于构建故事/寓言的事件隐喻。结果表明,与Lan和Zuo(2016,《隐喻与社会世界》6,20-51)一致,最广泛使用的构形是图示来源-言语目标类型的跨模态构形。这可能是由于视觉表现的概念密度和具体性更大,因为目标由于其抽象性而更容易被口头捕捉。相比之下,源域主要是具体的,因此可以通过图片而不是口头来感知。本研究主要展示了政治漫画中的隐喻和转喻对观众对目标领域的感知以及观众对目标域的态度的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A blending analysis of metaphors and metonymies used to depict the deal of the century by Jordanian cartoonists
This study analyzes 30 cartoons depicting the Deal of the Century as envisaged by two Jordanian cartoonists. Conceptual Blending Theory (Fauconnier and Turner [2008, Cambridge handbook of metaphor and thought, Cambridge University Press, 53–66]) and Multimodal Metaphor Theory (Forceville, 2008) are adopted as theoretical frameworks. The results reveal that the target domain the Deal of the Century was conceptualized mainly through layered metaphors that have metonymic basis and event metaphors/allegories. Five groups were identified: object or a situation involving objects, situations involving humans/hybrids of humans and objects, an animal or situation involving animal, hybrids of weapons and humans, and event metaphors used to build a story/allegory. The results demonstrate that the most widely used configuration to construe the metaphors was cross-modal of the type pictorial source–verbal target in line with Lan and Zuo (2016, Metaphor and the Social World 6, 20–51). This was probably due to the greater conceptual density and concreteness of visual representation as the target is better captured verbally because of its abstractness. In contrast, the source domains were mainly concrete and thus perceivable pictorially rather than verbally. The study mainly demonstrates the effect that metaphor and metonymy found in political cartoons can have on the perception of the target domain by the audience and by extension their attitude toward it.
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CiteScore
4.20
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