叙事机制2.0:数字文学的另一视角

IF 0.2 N/A LITERATURE
Yan-zhe Zheng
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引用次数: 1

摘要

本文基于严正(2016)构建的讲故事机制理论和Espen Aarseth(1997)提出的网络文本理论,探讨了叙事文本是如何机械地起作用的。这与郑的研究结果一致,即数字文学与其他平台上呈现的文学在机械文本行为方面没有内在差异。然而,本文也指出了郑的理论在其前期阶段的局限性。为了解决这一问题,本文将叙事机制理论与其理论起源——网络文本理论进行区分,避免两者都存在的问题,并进一步发展郑的叙事文本类型学,包括35个逻辑问题,为探究叙事文本提供更细致的视角。此外,本文构建了一个地图,可以直观地展示叙事文本是如何通过叙事机制中的三个元素的协同努力而产生的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Storytelling Mechanism 2.0: Another Perspective on Digital Literature
This paper offers a discussion on how narrative texts work mechanically, based on the storytelling mechanism theory constructed by Yan Zheng (2016) and cybertext theory introduced by Espen Aarseth (1997). It agrees with Zheng’s findings that there are no intrinsic differences between digital literature and literature presented on other platforms in terms of their mechanical textual behaviours. However, this paper also points out the limitations of Zheng’s theory in its previous stage. To fix the problem, this paper differentiates the storytelling mechanism theory from its theoretical origin, cybertext theory, avoids the problems found in both theories, and further develops Zheng’s typology of narrative texts to include 35 logical questions that can provide more meticulous views to enquire about a narrative text. Moreover, this paper constructs a map that can be used to demonstrate visually how a narrative text is produced with collaborative efforts from the three elements in the storytelling mechanism.
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来源期刊
Libri & Liberi
Libri & Liberi LITERATURE-
CiteScore
0.10
自引率
0.00%
发文量
4
期刊介绍: Libri & Liberi publishes peer-reviewed academic papers on various topics in the field of children’s literature and young adult literature and on related topics, on their wider cultural contexts, and on their intercultural contacts in the fields of literature and the media. The journal particularly appreciates interdisciplinary approaches and intermediality.
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