艾米·怀恩豪斯:回到黑色与哥特式

Q2 Arts and Humanities
Adrian Sledmere
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引用次数: 0

摘要

本文从女性哥特式的视角来审视艾米·怀恩豪斯。特别关注她的歌曲“Back to Black”(2007)及其附带的视频,试图将艺术家哥特化:描绘出从哥特式中提取的各种个性和隐喻中形成的身份。从这种体裁中出现的各种主题和比喻表明了一种连续性,即妇女在社会中面临的结构性限制和焦虑。将哥特与艾米·怀恩豪斯联系起来,旨在表达与性别有关的权力和自主问题。作为讨论的一部分,我将通过采用心理地理学的方法,突出与她的叙事和音乐相关的地方的重要性。这是利用心理地理学和哥特之间的自然联系,考虑到黑暗潮流和共鸣的可能性,通过与神秘的关系,他们都分享。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Amy Winehouse: Back to Black and the Gothic
This article considers Amy Winehouse through the lens of the Female Gothic. With a specific focus on her song “Back to Black” (2007) and its accompanying video, an attempt is made to Gothicize the artist: to delineate an identity forged out of a variety of personalities and metaphors drawn from the Gothic. The various themes and tropes which emerge from this genre speak to a sense of continuity in terms of the structural constraints and anxieties that women face in society. To deploy the Gothic in relation to Amy Winehouse aims to give voice to gender related issues of power and autonomy. As part of the discussion I will foreground the significance of place in relation to both her narrative and music, by embracing a psychogeographic approach. This is to exploit a natural connection between Psychogeography and the Gothic by considering the possibility of darker currents and resonances via a relationship with the uncanny which they both share.
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来源期刊
IASPM Journal
IASPM Journal Arts and Humanities-Music
CiteScore
0.30
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审稿时长
30 weeks
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