音频优先的VR:虚拟环境中音乐体验的新视角

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2020-01-01 DOI:10.1080/09298215.2019.1707234

Anil Çamci, R. Hamilton

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引用次数: 12

摘要

新音乐研究杂志的这一期特刊通过音乐，艺术和技术的镜头探索VR(虚拟现实)，每个人都专注于前景的声音表达-音频优先的VR，其中声音不仅被视为沉浸式虚拟体验的组成部分，而且还被视为该领域创造性和技术工作的临界点。在本文中，我们确定了音频优先VR的新挑战和机遇，并提出了与该概念的理论和实践方面有关的问题。然后，我们将讨论如何通过研究和艺术项目来解决这些问题，让我们一窥VR音频的未来。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Audio-first VR: New perspectives on musical experiences in virtual environments

ABSTRACT This special issue of the Journal of New Music Research explores VR (Virtual Reality) through the lenses of music, art and technology, each focusing on foregrounded sonic expression – an audio-first VR, wherein sound is treated not only as an integral part of immersive virtual experiences but also as a critical point of departure for creative and technological work in this domain. In this article, we identify emerging challenges and opportunities in audio-first VR, and pose questions pertaining to both theoretical and practical aspects of this concept. We then discuss how each contribution to our special issue addresses these questions through research and artistic projects, giving us a glimpse into the future of audio in VR.

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来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.