节奏变化、语言和风格:用RISM数据集复制和扩展nPVI研究结果

IF 1.1 4区 计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
Katherine Vukovics, D. Shanahan
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引用次数: 3

摘要

归一化两两可变性指数(nPVI),已被经常用于测量音乐发作之间的节奏差异。例如,研究人员提出了作曲家的国籍与其音乐和母语的nPVI值之间的联系。然而,一个特别的问题在于意图国籍的概念-作曲家经常以自己以外的民族风格创作。本研究采用RISM-World数据集,既复制了先前关于旋律的节奏变化与作曲家国籍的研究结果,又研究了莫扎特和亨德尔音乐中的预期国籍,即他们的歌剧和清唱剧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rhythmic variability, language, and style: A replication and extension of nPVI findings with the RISM dataset
The normalised pairwise variability index (nPVI), has been frequently used to measure the rhythmic variance between musical onsets. For example, researchers have proposed connections between the nationalities of composers and the nPVI values of their music and native language. One particular issue, however, lies in the notion of intended nationality – composers frequently wrote in national styles other than their own. This study employs the RISM-World dataset to both replicate previous findings relating the rhythmic variance of melodies to the nationalities of composers, and to examine intended nationality in the music of Mozart and Handel, namely their operas and oratorios.
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来源期刊
Journal of New Music Research
Journal of New Music Research 工程技术-计算机:跨学科应用
CiteScore
3.20
自引率
0.00%
发文量
5
审稿时长
>12 weeks
期刊介绍: The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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