佩德罗Almodovar电影中记者的衰落形象/佩德罗Almodovar电影中记者的衰落形象

IF 0.8 Q3 COMMUNICATION
Cristina San José de la Rosa
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引用次数: 4

摘要

新闻工作者和记者在佩德罗·阿尔莫多瓦的电影中扮演着关键角色。在大多数情况下,导演使用角色沟通器,与肤浅的演讲者交流,偶尔也会使用精确的严肃线人交流。这项研究分析了他最近17部电影中传播手段或记者的存在,并影响了镜头前轻浮和讽刺的流行,因为它展示了Ticos的四个象征性标题:《遥远的高跟鞋》(1991)、《Kika》(1993)《与她交谈》(2002)和《归来》(2006)。数据摘自博士论文《西班牙电影中的记者》(1942-2012),其中分析了70年来西班牙电影中作为主角或次要角色出现的告密者的职业和个人简介
本文章由计算机程序翻译,如有差异,请以英文原文为准。
La imagen decadente del periodista en el cine de Pedro Almodóvar / The decadent image of the journalist in Pedro Almodovar’s cinema
Journalism and journalists play key roles in the cinema of Pedro Almodovar. The director uses the character communicator with superficial presenters in most cases and occasionally precise serious informants. This study analyzes the presence of means of communication or journalists in his last 17 films and affects the prevalence of frivolity and satire before the camera as it is shown four emblematic titles to Ticos: Distant Heels (1991), Kika (1993) Talk to her (2002) and Return (2006). The data is extracted from the doctoral thesis The journalists in the Spanish cinema (1942-2012), in which the professional and personal profile of the informers which appear as protagonists or secondary in Spanish films is analyzed during the seventy years
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来源期刊
Vivat Academia
Vivat Academia COMMUNICATION-
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