“现代”声乐的诞生——以恩里科·卡鲁索为例

IF 0.2 2区艺术学 0 MUSIC

Journal of the Royal Musical Association Pub Date : 2021-06-16 DOI:10.1017/rma.2021.11

B. Gentili

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引用次数: 0

摘要

摘要在二十世纪之交的几十年里，意大利歌剧演唱经历了深刻的变革，并变得“现代”。我通过男高音歌唱家恩里科·卡鲁索的典型案例，探讨了这种现代性的形成因素及其对我们今天唱歌方式的长期影响。我将卡鲁索的声乐发展置于真实歌剧的兴起中，比较了精选的录音、评论以及声乐论文中包含的规则和美学处方，以展示他的新声乐与旧美声的不同。为了将卡鲁索的成就放在背景下，我还分析了那个时代另外两位男高音的录音：乔瓦尼·泽纳特洛和亚历山德罗·邦奇。

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The Birth of ‘Modern’ Vocalism: The Paradigmatic Case of Enrico Caruso

Abstract In the decades spanning the turn of the twentieth century Italian opera singing underwent a profound transformation and became ‘modern’. I explore the formative elements of this modernity and its long-term effects on the way we sing today through the paradigmatic case of the tenor Enrico Caruso. I frame Caruso’s vocal evolution within the rise of verismo opera, comparing selected recordings, reviews and the rules and aesthetic prescriptions contained in vocal treatises to show how his new vocalism differed from that of the old bel canto. To set Caruso’s achievement in context I also analyse recordings of two other tenors of the era: Giovanni Zenatello and Alessandro Bonci.

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来源期刊

Journal of the Royal Musical Association MUSIC-

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0.50

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期刊介绍： The Journal of the Royal Musical Association was established in 1986 (replacing the Association"s Proceedings) and is now one of the major international refereed journals in its field. Its editorial policy is to publish outstanding articles in fields ranging from historical and critical musicology to theory and analysis, ethnomusicology, and popular music studies. The journal works to disseminate knowledge across the discipline and communicate specialist perspectives to a broad readership, while maintaining the highest scholarly standards.