Neemías Santos da Rosa, Lidia Álvarez Morales, Ximo Martorell Briz, Laura Fernández Macías, M. Díaz‐Andreu
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引用次数: 9
摘要
自20世纪80年代以来,对聚落遗址的研究主要集中在考古记录的物质维度上,因此导致了对史前现实的不完整看法。早期的社区选择网站有很多原因。在这篇文章中,我们探讨了一种可能性,即一些非物质的东西,如遗址的声学,可能影响了史前人类在这些会议场所创造和使用岩石艺术的选择性选择。采用脉冲响应(IR)方法,我们系统地分析了Cuevas de la Araña的声学特性,这是西班牙东部一个具有利凡特岩石艺术的聚集点,以及周围16个卫星点。结果表明,La Araña的声学对于在制作和使用岩石艺术的过程中通过音乐表演创造情感参与,以及选择作为黎凡特人口聚会场所的地点,可能是重要的。
The Acoustics of Aggregation Sites: Listening to the Rock Art Landscape of Cuevas de la Araña (Spain)
ABSTRACT Since the 1980s, research into aggregation sites has focused on the material dimension of the archaeological record and has thus led to an incomplete view of the prehistoric reality. Early communities chose sites for many reasons. In this article, we explore the possibility that something as immaterial in nature as the acoustics of the sites may have influenced the selective choices made by the prehistoric peoples who created and used rock art in these meeting places. Employing the Impulse Response (IR) methodology, we systematically analyze the acoustic properties of Cuevas de la Araña, an aggregation site in eastern Spain with Levantine rock art, and 16 satellite sites in its surroundings. The results indicate that the acoustics of La Araña could have been important for creating affective engagement through musical performances carried out during the production and use of rock art, as well as for the choice of the site as a meeting place for Levantine populations.
期刊介绍:
The Journal of Field Archaeology is an international, refereed journal serving the interests of archaeologists, anthropologists, historians, scientists, and others concerned with the recovery and interpretation of archaeological data. Its scope is worldwide and is not confined to any particular time period. Contributions in English are welcomed from all countries.