{"title":"应用艺术家作为苏联时期爱沙尼亚陶瓷纪念性艺术的创造者:过去与未来","authors":"Hilkka Hiiop, Anu Soojärv, Varje Õunapuu","doi":"10.37522/aaav.104.2022.98","DOIUrl":null,"url":null,"abstract":"\n\n\nThe article introduces the usage of ceramics in Estonian monu mental art in the postwar modernist era by presenting two examples involving artworks created in 1967 and 1978. Both murals have recently undergone conservation by specialists from the Department of Heritage Protection and Conservation of the Estonian Academy of Arts. In both cases, the conservation teams were able to interview and consult the artists who created the compositions.\n\n\n","PeriodicalId":36620,"journal":{"name":"Acta Academiae Artium Vilnensis","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Applied Artists as Creators of Ceramic Monumental Art in Soviet Estonia: The Past and the Future\",\"authors\":\"Hilkka Hiiop, Anu Soojärv, Varje Õunapuu\",\"doi\":\"10.37522/aaav.104.2022.98\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n\\n\\nThe article introduces the usage of ceramics in Estonian monu mental art in the postwar modernist era by presenting two examples involving artworks created in 1967 and 1978. Both murals have recently undergone conservation by specialists from the Department of Heritage Protection and Conservation of the Estonian Academy of Arts. In both cases, the conservation teams were able to interview and consult the artists who created the compositions.\\n\\n\\n\",\"PeriodicalId\":36620,\"journal\":{\"name\":\"Acta Academiae Artium Vilnensis\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acta Academiae Artium Vilnensis\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37522/aaav.104.2022.98\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Academiae Artium Vilnensis","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37522/aaav.104.2022.98","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Applied Artists as Creators of Ceramic Monumental Art in Soviet Estonia: The Past and the Future
The article introduces the usage of ceramics in Estonian monu mental art in the postwar modernist era by presenting two examples involving artworks created in 1967 and 1978. Both murals have recently undergone conservation by specialists from the Department of Heritage Protection and Conservation of the Estonian Academy of Arts. In both cases, the conservation teams were able to interview and consult the artists who created the compositions.