{"title":"罗伯特·摩根,成为海因里希·申克:音乐理论和意识形态(剑桥:剑桥大学出版社,2014),xx + 275页。ISBN 978-1-107-06769-1。£67 (hb)。海因里希·申克,贝多芬最后的钢琴奏鸣曲:一个版本与阐释,翻译:批评论坛","authors":"William Drabkin","doi":"10.1111/MUSA.12099","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":44048,"journal":{"name":"MUSIC ANALYSIS","volume":"36 1","pages":"282-295"},"PeriodicalIF":0.5000,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/MUSA.12099","citationCount":"0","resultStr":"{\"title\":\"Robert P. Morgan, Becoming Heinrich Schenker: Music Theory and Ideology (Cambridge: Cambridge University Press, 2014), xx + 275 pp. ISBN 978-1-107-06769-1. £67 (hb.).Heinrich Schenker, Beethoven's Last Piano Sonatas: an Edition with Elucidation, translate: Critical Forum\",\"authors\":\"William Drabkin\",\"doi\":\"10.1111/MUSA.12099\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":44048,\"journal\":{\"name\":\"MUSIC ANALYSIS\",\"volume\":\"36 1\",\"pages\":\"282-295\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2017-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1111/MUSA.12099\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MUSIC ANALYSIS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1111/MUSA.12099\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MUSIC ANALYSIS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1111/MUSA.12099","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Robert P. Morgan, Becoming Heinrich Schenker: Music Theory and Ideology (Cambridge: Cambridge University Press, 2014), xx + 275 pp. ISBN 978-1-107-06769-1. £67 (hb.).Heinrich Schenker, Beethoven's Last Piano Sonatas: an Edition with Elucidation, translate: Critical Forum
期刊介绍:
Music Analysis is the international forum for the presentation of new writing focused on musical works and repertoires. Through articles of this kind and through its lively Critical Forum, it also aims to take forward debates concerning the relationship of technical commentary on music with music theory, critical theory, music history and the cognitive sciences. Music Analysis is eclectic in its coverage of music from medieval to post-modern times, and has regular articles on non-western music. Its lively tone and focus on specific works makes it of interest to the general reader as well as the specialist.