全球自虚构flalnerie

IF 0.3 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Shaj Mathew
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引用次数: 0

摘要

病态的模仿西方到他们的模仿,挖掘西方和传统。只有认同,而不是异化机制。他们没有将模仿视为一种抵抗策略,而是将其视为纯粹的模仿,这只会导致自我怀疑和羞耻。由于他们认为花花公子模仿的对象是西方的肤浅陷阱,而不是其深刻的价值观、哲学或技术科学成就,他们可以声称,受西方影响的人既不了解自我,也不了解西方,他们并不完全属于这两者。在这种观点中,花花公子成为了寻找能指的轻量级漂浮能指。在某种程度上,这种误读源于政治光谱中的世俗和宗教知识分子对模仿及其引擎——表演性的不信任(重点补充)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Global Autofictional Flânerie
pathological imitation of the West to their mimicking, under-mined both Western and traditions. only the identification, not the alienating mechanism . Instead of validating mimicry as a strategy of resistance, they it as mere imitation, which only served to self-doubt and shame. And since they the objects of the dandies’ imitation to be the superficial trap-pings of the West, not its deep values, its philosophy, or its technoscientific achievements, they could claim that Weststruck individuals knew neither the self nor the West well and that they did not fully belong to either. Dandies in this view became lightweight floating signifiers in search of signifieds. In part, this misreading stemmed from the distrust that both secular and religious intellectuals across the political spectrum had for mimicry and its engine, performativity (emphasis added).
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来源期刊
Modernism/modernity
Modernism/modernity HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
自引率
0.00%
发文量
20
期刊介绍: Concentrating on the period extending roughly from 1860 to the present, Modernism/Modernity focuses on the methodological, archival, and theoretical exigencies particular to modernist studies. It encourages an interdisciplinary approach linking music, architecture, the visual arts, literature, and social and intellectual history. The journal"s broad scope fosters dialogue between social scientists and humanists about the history of modernism and its relations tomodernization. Each issue features a section of thematic essays as well as book reviews and a list of books received. Modernism/Modernity is now the official journal of the Modernist Studies Association.
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