住宅、街道、城市:勒·柯布西耶对新城市内部的研究

Q1 Arts and Humanities
Interiority Pub Date : 2019-07-30 DOI:10.7454/IN.V2I2.57
Patrizio M. Martinelli
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引用次数: 2

摘要

勒·柯布西耶在20世纪10年代到30年代之间进行的调查主要集中在街道和建筑之间的新关系上。这项研究从关于这座城市的文本开始,特别是欧格·海姆纳德的作品。这些文章可以追溯到1903-1909年,讨论了城市街道更新策略的必要性,打破了与建筑序列相关的单调和问题,创造了一系列广场、花园和开放庭院:街道和建筑之间的实际城市空间。从这些文本中学习,勒·柯布西耶创作了一系列关于rue走廊的争议性作品,特别是在《明日之城》、《精密》和《光芒之城》中。一系列项目探索了该主题的极端后果:用于集体住房的domo -ino建筑原则演变为与基础设施分离的租户,以及具有居住空间的不可动摇的别墅。最后,阿尔及尔Obus计划的弧形设计将街道本身转变为景观中流动的“建筑即城市”。本文遵循勒·柯布西耶如何在建筑内部元素中改变街道及其传统的城市组成部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
House, Street, City: Le Corbusier’s Research Towards a New Urban Interior
Le Corbusier’s investigations, conducted between the 1910s and the 1930s, were focused on a new relationship between street and building. This research started from texts about the city, in particular, the writings of Eugène Hénard’s. These essays, dating back to 1903-1909, dealt with the necessity of a renewed strategy for the urban street, breaking down the monotony and the problems related to the sequence of buildings and creating a series of places as squares, gardens, and open courtyards: actual urban rooms between streets an buildings. Learning from those texts, Le Corbusier worked on a series of polemical writings about the rue corridor, collected in particular in The City of Tomorrow, Precisions and The Radiant City. A series of projects explored to the extreme consequences the topic: the Dom-ino building principle used for collective housing evolved to the redent, detached from the infrastructure, and the immeuble villa, with its inhabited façades. Finally, the curved redent for the Plan Obus in Algiers transformed the street itself into a "building as city" flowing in the landscape. The essay follows how Le Corbusier transforms the street and its traditional urban components in interior elements inside the buildings.
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来源期刊
Interiority
Interiority Arts and Humanities-Visual Arts and Performing Arts
CiteScore
2.10
自引率
0.00%
发文量
16
审稿时长
10 weeks
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