“完美礼服”

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
J. Parsons, Sara B. Marcketti
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引用次数: 0

摘要

自19世纪90年代以来,“抄袭”他人作品的过程一直是美国成衣行业不可或缺的做法。在20世纪30年代,美国时尚创始者协会(FOGA)创建了一个内部系统来保护其成员的设计作品,但在1941年,该系统被宣布为贸易限制,而下一个最好的保护选择是美国的设计专利系统。本研究调查了1936年至1942年间在美国颁发的4,523项服装专利,重点关注所代表的设计师和/或制造商以及专利申请的过程和时间。对设计专利侵权的精选法庭案例进行分析,包括对FOGA主要成员和成衣制造商Samuel Zahn的“完美连衣裙”专利的案例研究,表明保护专利服装设计的难度以及构成原始设计的复杂性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The “Perfect Dress”
The process of “knocking off” the work of others has been an integral practice of the United States ready-to-wear industry since the 1890s. In the 1930s, the Fashion Originators Guild of America (FOGA) created an internal system to protect its members’ design work, but in 1941 this system was declared in restraint of trade, and the next best protection option laid in the US design patent system. This research examines the 4,523 dress patents issued in the United States between 1936 and 1942, focusing on the designers and/or manufacturers represented and the process and timing of patent applications. Analysis of select court cases of design patent infringement, including a case study of a patent for “The Perfect Dress” by leading FOGA member and ready-to-wear dress manufacturer Samuel Zahn, demonstrates the difficulty of protecting a patented dress design and the complicated nature of what constituted an original design.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
28
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