对原始主义

Q1 Arts and Humanities

Res: Anthropology and Aesthetics Pub Date : 2019-01-01 DOI:10.1086/704389

Risham Majeed

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引用次数: 0

摘要

第二次世界大战期间，雕塑家雅克·利普奇茨刚从欧洲来到纽约，他在夏皮罗博士的陪伴下度过了一个晚上。话题转到了巴黎人类博物馆收藏的大量部落艺术，尤其是他特别欣赏的一件作品。为了帮助利普奇茨回忆起它，夏皮罗博士拿了一张纸，根据记忆和比例，不仅画出了有问题的那一块，还画出了几年前的每一块。他并不认为这有什么异常。

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Against primitivism

When the sculptor Jacques Lipchitz was newly arrived in New York from Europe during World War II, he spent an evening in Dr. Schapiro’s company. The talk turned to the great collections of tribal art in the Musee de l’Homme in Paris, and in particular to a piece that he had especially admired. To help Lipchitz recall it, Dr. Schapiro took a sheet of paper and drew, from memory and to scale, not only the piece in question but every other piece that had been in the case with it some years before. He did not see this as anything out of the ordinary.

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来源期刊

Res: Anthropology and Aesthetics Arts and Humanities-Visual Arts and Performing Arts

自引率

0.00%

发文量

期刊介绍： Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal brings together, in an anthropological perspective, contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, and others. Its field of inquiry is open to all cultures, regions, and historical periods. Res also seeks to make available textual and iconographic documents of importance for the history and theory of the arts.