Orchidea：一个基于目标的计算机辅助动态编排的综合框架

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2022-01-01 DOI:10.1080/09298215.2022.2150650

Carmine-Emanuele Cella

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引用次数: 2

摘要

本文有两个不同的目的：提出基于目标的计算机辅助编排问题，并引入一种新的计算框架Orchidea来解决这个问题。在定义了问题的静态和动态版本之后，将从历史的角度进行讨论。将研究辅助配器的文化背景，特别关注谱音乐。在论文的后半部分，将详细介绍和讨论基于动态目标的计算机辅助编排的Orchidea框架。在讨论了该框架背后的设计原则和哲学之后，将对其所有组成部分进行研究。最后，将介绍未来计算机辅助编排的可能步骤。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Orchidea: a comprehensive framework for target-based computer-assisted dynamic orchestration

This paper has two different aims: presenting the problem of target-based computer-assisted orchestration and introducing a new computational framework to solve it, called Orchidea. After the definition of the static and the dynamic versions of the problem, a historic perspective will be discussed. The cultural context of assisted orchestration will be examined, with particular attention being given to spectral music. In the second half of the paper, the Orchidea framework for dynamic target-based computer-assisted orchestration will be introduced and discussed in detail. After the discussion of the design principles and the philosophy behind this framework, all its components will be studied. Finally, possible steps for the future of computer-assisted orchestration will be presented.

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来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.