I Am in Eskew:声景,城市景观和敌对建筑的心理景观

Aldona Kobus
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引用次数: 0

摘要

Am in Eskew是一个独立播客的缩影,由Jon Ware和Muna Hussen两个人撰写,制作和表演。它讲述了大卫·沃德(乔恩·威尔饰)的故事,他被困在埃斯丘市,在那里噩梦成真。这个故事提供了多种答案和解释,这取决于我们选择遵循哪种类型和接受模式。从字面上看,这是一个关于一个被诅咒的城市的奇幻恐怖故事,通过创造充满怪物,空间和身体恐怖的城市景观来折磨被困的居民(Eskew是一个景观);在隐喻的层面上,我在艾斯丘是精神疾病和精神障碍的代表(艾斯丘是一种精神景观)。本文讨论了《我在埃斯基尤》中媒介的使用,播客在创造一个沉浸式恐怖故事(埃斯基尤作为一个音景)中的能力,以及对播客的可能解释,重点是敌意建筑的概念,作为晚期资本主义倾向的表达,将人类生活的各个方面(空间,关系等)去人性化。本文通过德里安鬼屋学的视角来探讨作为叙事形式的敌对建筑和作为叙事形式的敌对建筑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
I Am in Eskew: Soundscape, Cityscape and Mindscape of Hostile Architecture
Am in Eskew is the epitome of an independent podcast, written, produced and performed by two people – Jon Ware and Muna Hussen. It tells the story of David Ward (Jon Ware), a man trapped in the city of Eskew, where nightmares become real. The story offers manifold answers and interpretations, depending which genre and mode of reception we choose to follow. On a literal level it is a fantasy horror story about a cursed city that tortures its entrapped residents by creating cityscapes full of monsters, spatial and body horror (Eskew as a landscape); on a metaphorical level I Am in Eskew is a representation of mental illness and mental disorders (Eskew as a mindscape). The present article discusses the use of medium in I Am in Eskew and the capabilities of podcasts in creating an immersive horror story (Eskew as a soundscape) as well as possible interpretations of the podcast, focusing on the concept of hostile architecture as an expression of the late capitalist inclination to dehumanize various aspects of human life (space, relationships etc.). The article discusses hostile architecture as a form of narration and narration as a form of hostile architecture through the lense of Derridian hauntology.
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